Behind the Scenes of a Wolfsonian Library Installation Examining the Dust Bowl
• December 20, 2023 • Leave a CommentPosted in 1930s, Artists, CCC, Christopher DeNoon, CLara Helena Palacio Luca, collectors, curators, Disaster relief, donations, exhibit cases, exhibitions, FAP, FDR, Federal Art Project (FAP), FIU community, FIU students, Florida International University students, Francis Xavier Luca, gifts, Great Depression, History Department, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, photography, postcards, posters, reception, student curators, Student exhibit, The Wolfsonian Library, Wolfsonian staff
Tags: 1919-1939, Alexandre Hogue, Amal Albaladejo, America & Movies: Between the Wars, black blizzards, buffalo hunt, Buffalo nickel, Burr Singer, Carlos Manuel Bleiker Morcillo, Children's books, Christopher DeNoon, Civilian Conservation Corps (CCC), Clara Helena Palacio Luca, drought, Dust Bowl, Dust Bowl refugees, dust pneumonia, dust storms, Dwayne Krier, Ecological crises, Erskine Caldwell, Farm Secuirty Administration (FSA), Francis Xavier Luca, Franklin Delano Roosevelt (1882-1945), FSA sanitary camps, George Lee, Golden Gate International Exhibition (San Francisco: 1939-1940), grasslands, Helen West Heller (1872-1955), Homestead Act of 1862, Indian Court Federal Building, Jeffrey Gold, land speculators, Louis Siegriest, Margaret Bourke-White, Missouri Woman (painting), Naomi Averill, Pennsylvania Writers' Project, Photographers, Plains Indians, railroad companies, Receptions, reforestation, Resettlement Administration (RA), sand dunes, Soil Conservation Act (April 1935), Soil Conservation Service (SCS), Soil Erosion Service (SCS), Sophia Medina, Steve Forero-Paz, the Great Plains, Valentina Berrio, wheat farms, William Kramer
Giving Thanks and Debunking Myths
• November 24, 2020 • 3 CommentsPosted in book art, children's books, colonialism, donations, exhibitions, Francis Xavier Luca, gifts, graphic designers, Mitchell Wolfson Jr., photography, postcards, racism, skyscrapers, The Wolfsonian Library, Vintage postcards, Wolfsonian
Tags: A Century of Progress International Exposition (Chicago: 1933-1934), Alaska-Yukon-Pacific Exposition (1909: Seattle WA), Alexander Phimister Proctor, American flag, Apache Indians, assimilation, Black Partridge, bronze sculptures, Buffalo Bill's WIld West Show, Carl Rohl-Smith (1848–1900), Centennial International Exhibition (1876: Philadelphia), Charles M. Russell, Cheyenne Indians, Chicago, Chief Simon Pokagon, children, Christopher Columbus, civilization, Clara Helena Palacio Luca, colonists, Cowboys, Custer's Last Stand, disease, Edward Berge (1876-1924), Envelopes, equestrian statues, ethnic cleansing, Exhibition buildings, fair grounds, fair-goers, feasts, feather headresses, Fort Dearborn, General George Armstron Custer, harvest celebrations, human zoos, Indian Removal, Indian reservations, Indians, James Earle Fraser (1876–1900), Jamestown Exposition (1907), John Smith, King Philip's War, Louisiana Purchase International Exposition (1904 : St Louis), Massasoit, Metacom, Midways, Miss Columbia, Native Americans, pavilions, Penobscot Indians, Pequot Indians, Pilgrims, Plains Indians, Pocahontas, Potawatomi Indians, Powhatan Confederacy, President Andrew Jackson, Red Man's Greeting, rituals, riveters, Santa Clara Indians, savagery, sculpture, Sioux Indians, skyscrapers, spectators, Squanto, Statues, teepees, Thanksgiving, Tickets, Trans-Mississippi Exposition (1898 : Omaha Nebraska), Umatilla Indians, Ute Indians, viewbooks, Walt Disney, Walter Crane (1845-1915), Wampanoag Indians, white birch bark, wigwams, World's Columbian Exposition (1893 : Chicago), World's Fairs, Yakima Indian Reservation
INDIGENOUS PEOPLES THROUGH WESTERN EYES: VISITS TO THE WOLFSONIAN LIBRARY BY SOME COLOMBIAN SCHOLARS AND A GROUP OF YOUNG AFRICAN LEADERS
• July 15, 2015 • 1 CommentPosted in Boers, colonial propaganda, colonialism, decorative arts, displays, donations, Ethiopia, ethnohistory, FIU, Folklorists, gifts, graphic arts, Italian design, Italy, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, ocean liners, persuasive arts, political art, propaganda, propaganda arts, rare books and special collections library, South African War, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, Zulus
Tags: Art Deco posters, Aurelio Bertiglia (1891-?), Avram Glazer, Benito Mussolini (1883-1945), Block books, Boer Wars, carpets, Escuela de Diseno Grafico, Ethiopia, Frederic A. Sharf, Frijoles Canyon Pictoraphs, Great Northern Railway, Gustave Baumann, Hoke Denetsosie, Indian art, Indian culture, Indian dancers, indigenous art, Jean S. and Frederic A. Sharf Collection, Jill Glazer, John Collier, Jose Jairo Vargas, Joseph Campbell (1904-1987), Luz Helena Ballestas Rincon, Maude Oakes, medicine man, Native American art, Native American culture, Navaho, Navaho rugs, Navaho War ceremonial, Navajo, Navajo Indian Reservation, New Deal, Pictographs, Plains Indians, President Franklin D. Roosevelt, primers, sand paintings, Santa Fe (New Mexico), School of Graphic Design at the National University of Colombia, South African Wars, Symbols, Turkish periodicals, Universidad Nacional de Colombia, Winold Reiss (1886-1953)
Wolfsonian-FIU Library 