OVERT / COVERT: MIAMI DADE COLLEGE STUDENTS USE WOLFSONIAN ART OBJECTS TO DECODE THE ICONOGRAPHY OF LABOR
• April 18, 2015 • 1 CommentPosted in 1930s, American left artists, Artists, Aryans, CCC, Communism, Communist Party of the United States of America, Communists, Constructivism, curators, FAP, Fascism, FDR, Federal One, Futurism, Great Depression, Hugo Gellert (1892-1985), interns, Italian design, Italy, leftist artists, Miami Dade College, Mitchell Wolfson Jr., museums, Nazi propaganda, New Deal, New Deal (1933-1939), New Deal era, NRA, photography, photomontage, political art, posters, propaganda, propaganda arts, propaganda posters, rare books and special collections library, Russia, skyscrapers, Soviet propaganda, Soviet Union, student curators, Student exhibit, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, WPA, youth movements
Tags: Adolf Hitler (1889-1945), Amanda E. Caceres, Benito Mussolini (1883-1945), Bill Iverson, Carolina Gutierrez, Cecilia Arellano, Charlie Chaplin, Civilian Conservation Corps (CCC), Diana E. Lopez, Fascist Italy, Federal Arts Project (FAP), Francis Xavier Luca, Franklin Delano Roosevelt (1882-1945), Freedom Tower, Giselle Gonzalez, Great Depression, Hugo Gellert (1892-1985), Italian Futurism, Jonathan Sanabria, Joseph Stalin (1879-1953), Juan D. Rojas, labor, Lea Nickless, Lewis Hine (1874-1940), Lynd Kendall Ward (1905-1985), Marta Palao, Miami Dade College, Mitchell Wolfson Jr., Mitchell Wolfson Jr. Study Centre, Modern Times (film), Museum of Art + Design, National Socialism, Nazi Germany, neo-classicism, New Deal, Overt/Covert (exhibition), Photomontage, propaganda, Russian Constructivism, Savannah Diaz, Soviet Union, student curators, Tennessee Valley Authority (TVA), work, working class, Yanelis Valdes
Wolfsonian-FIU Library 