It Must Not Happen Here
• August 28, 2020 • 4 CommentsPosted in Uncategorized
Tags: Al Capone, American Fascists, American flag, assassinations, Black Lives Matter movement, book illustrators, COVID-19, dictatorships, fake news, Fascism, Father Charles Coughlin (1891-1979), Federal Theatre Project (FTP), Flags, Four Horsemen of the Apocalypse, General Hugh Johnson, Henry Ford, Herbert Hoover, Huey Pierce Long (1893-1935), Hugo Gellert (1892-1985), J. P. Morgan, lithographs, Lynd Ward (1905-1985), New Deal, Novels, President Franklin Delano Roosevelt (1882-1945), Satire, Sinclair Lewis, Upsurge / by Robert Gessner, William Randolph Hearst (1863-1951)
The Artwork and Caricatures of Conrado Walter Massaguer
• May 31, 2019 • 2 CommentsPosted in 1920s, 1930s, 1940s, 1950s, acquisitions, Artists, collectors, Cuba, donations, exhibitions, Francis Xavier Luca, gender, gifts, graphic arts, graphic designers, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, NRA, promotional materials, The Wolfsonian Library, Wolfsonian staff, World's fairs
Tags: "new woman", Advertisements, Allied leaders, Art directors, artists, Bacardi, bellboys, Benito Mussolini, bobbed hair, Calvin Coolidge, caricatures, caricaturists, carousels, Carteles (magazine), Casino Nacional (Havana Cuba), celebrities, Censorship, Charles Dana Gibson, Charlie Chaplin, Che Guevara, Collier's (magazine), Conrado W. Massaguer, Cosmo Hamilton's People Worth Talking About (book), Cuba, Cuban pavilion, Cuban presidents, Cuban Republic, Cubans, Delphic Studio (New York City), dominos, El Figaro (magazine), Emilio Cueto, Fidel Castro, flappers, Fulgencio Batista, Gerardo Machado, Ghandi, Gibson Girls, Grafico (magazine), Great Depression, Greta Garbo, Guignol (book), Havana, Havana (Cuba), Havana Ateneo, high society, honeymoon, Jaime Valls, Keseven Anuncios (Advertising firm), King Features Syndicate, La Primera Exposicion de Humor, Laredo Bru, League of Nations, Leonard Finger, Life (magazine), Magazines, Maltina, Mana-Zucca, Mario G. Menocal, Massa-Girls, Maurice Chevelier, Mercurio (Advertising firm), Merida, merry-go-rounds, Mexico, Miami Music Club, Mimi Aguglia, Minoristas (group of artists), modernists, murals, National Recovery Administration (NRA), New Deal, New York City, New York Military Academy, New York World's Fair (1939-1940), NRA, Oscar Massaguer, publishers, Ramiro Fernandez, revolutionaries, Rudyard Kipling, rumba dancers, rumberas, Santa Claus, sexual liberation, Sheet music covers, Social (magazine), Son Cubano, Stock Market Crash, The Miami News (newspaper), The New Tropic, The New York World's Fair (1939-40), Today (magazine), tourism, tourist trade, tourists, trend-setters, Waldorf-Astoria, women, world leaders, Yucatan
New Deal Ephemera
• October 5, 2017 • Leave a CommentPosted in 1930s, Alabama, American left artists, Blue eagle, CCC, Christopher DeNoon, Civil Rights Movement, Civilian Conservation Corps, Communism, Communist Party of the United States, Communist Party of the United States of America, Communists, displays, FIU, FIU community, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gifts, Great Depression, History Department, Hugo Gellert, Hugo Gellert (1892-1985), International Labor Defense (ILD), leftist artists, Leonard A. Lauder, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, NRA, NYA, persuasive arts, racism, rare books and special collections library, Rural Electrification Administration (REA), stickers, The Wolfsonian-FIU library, visual thinking strategies, VTS, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: 1936, Advertisements, aGatherin', Blue eagle (thunderbird) campaign, Broadsides, bulletins, calendars, campaign stickers, capitalism, Chain gangs, Christopher DeNoon, civil rights, Civilian Conservation Corps (CCC), Clara Helena Palacio Luca, Communists, Comrade Gulliver, Diane de Blois, Display cards, electric chairs, ephemera, Ephemera Society of America, fans, FDR, Federal Music Project (FMP), Franklin Delano Roosevelt (1882-1945), Gabriel Over the White House, Great Depression, Hurricane Irma, jobs, Junior Seminar, Kara Accettola, Leonard A. Lauder, Little Sages Books, lynchings, Lynton Gardiner, Martijn F. Lecoultre, Movie Makers (periodical), National Recovery Administration (NRA), National Youth Administration (NYA), Negro Songs of Protest (song book), New Deal, Pamphlets, pennants, Photomontage, portfolio plates, posters, Public Works Administration (PWA), racism, rare books, rare periodicals, Robert Dalton Harris, Rosie the Riveter, Rural Electrification Administration (REA), Scottsboro Boys, Scottsboro Trial (Alabama), Second World War, sharecropping, Sheet music covers, Socialists, song books, Sound recordings, Supreme Court rulings, Swastikas, Tamiami Trail, tanks (military science), The Christopher DeNoon Collection for the Study of New Deal Culture, voting patterns, Women war workers, work, Works Progress Administration (WPA)
Back to Work with the New Deal
• April 14, 2017 • 1 CommentPosted in AAA, Blue eagle, CCC, Christopher DeNoon, Civilian Conservation Corps, CLara Helena Palacio Luca, Communism, Communist Party of the United States, Communist Party of the United States of America, curators, displays, donations, FAP, FDR, Federal One, Federal Theatre Project (U.S.), FIU, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, FTP, gifts, graphic arts, graphic designers, Great Depression, History Department, Hugo Gellert, Hugo Gellert (1892-1985), leftist artists, library donors, Mitchell Wolfson, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, NRA, political art, rare books and special collections library, school visits to The Wolfsonian, The Wolfsonian-FIU library, Wolfsonian-FIU library, Wolfsonian-FIU library exhibitions, WPA
Tags: AAA, Agricultural Adjustment Administration (AAA), Arsenal of Democracy, CCC, Civilian Conservation Corps (CCC), Communist Party of the United States of America (CPUSA), CPUSA, Duard Marshall (1914-2010), Father Charles Coughlin, FDR, Federal funding for the Arts, Federal Theatre Project (FTP), Florida International University, Florida International University students, Francis Townsend, Franklin Delano Roosevelt (1882-1945), Great Depression, Huey Pierce Long (1893-1935), Hugo Gellert (1892-1985), Iris Sanchez-Ruiz, Miami-Dade County schoolteachers, mural studies, murals, National Recovery Administration (NRA), New Deal, NRA, Public Works Administration (PWA), PWA, Rosita Maria Sosa, shovels, Social Security, Socialism, Teaching American History Master's Degree Program, Vaughn Shoemaker (1902-?), Victor Candell (1903-1977), Works Progress Administration (WPA), WPA
Tuned In: RadioFest at The Wolfsonian
• March 17, 2017 • Leave a CommentPosted in 1920s, 1930s, airplanes, American war propaganda, Anti-Nazi propaganda, book art, children's books, Children's propaganda books, CLara Helena Palacio Luca, displays, donations, FDR, Florida International University, Four Freedoms speech (1941), Francis Xavier Luca, gifts, Great Britain, Great Depression, Italy, library donors, Mediterranean Sea, Mitchell Wolfson Jr., museums, Nazi propaganda, New Deal, New Deal (1933-1939), New Deal era, Occupied France, persuasive arts, political art, postcards, posters, rare books and special collections library, Second World War (1939-1945), Spanish Civil War, The Wolfsonian-FIU library, totalitarian, Vintage postcards, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, World War (1939-1945), World War II, WWII
Tags: Adolf Hitler, Advertisements, “Back of the Mike” (film short 1938), Benito Mussolini, Brochures, caricatures, cartoons, Eleanor Roosevelt, Fascism, Father Charles Coughlin, Federal Music Project (FMP), fireside chats, Four Freedoms speech, Francis Xavier Luca, Franklin D. Roosevelt, Harvey Mattel, Herbert Hoover, Joseph Goebbels, microphones, Mitchell Wolfson Jr., Moonlighter Makerspace, Nazism, New Deal, People’s Receivers, postcards, posters, propaganda, Public radio, Radio, Radio London, Radio tower transmitters, RadioFest, radios, Red Scare, Second World War, Sound recordings, The New Tropic, VoxPop, Winston Churchill, WLRN, Wolfson Archives, Works Progress Administration (WPA), World War (1839-1945), WWII
Recent Florida International University Class Visits to The Wolfsonian Library
• February 10, 2017 • 1 CommentPosted in 1920s, 1930s, African American History, American left artists, American war propaganda, Artists, book art, Communism, Communist Party of the United States, Communist Party of the United States of America, Communists, displays, donations, Fascism, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, graphic designers, History Department, Hugo Gellert (1892-1985), International Labor Defense (ILD), leftist artists, Leonard A. Lauder, library donors, Lin Shi Khan, Lynd Ward (1905-1985), memorabilia, museums, Nazi propaganda, New Deal, New Deal (1933-1939), New Deal era, persuasive arts, political art, Popular Front, posters, prohibition, propaganda, propaganda arts, propaganda posters, racism, school visits to The Wolfsonian, Scottsboro Trial, Soviet Union, The Wolfsonian-FIU library, trains, war propaganda, Wolfsonian, Wolfsonian museum library, Wolfsonian-FIU library, women, World War II
Tags: 1930s, Adolf Hitler, African-Americans, anti-lynching campaigns, Autobahn, Blues, Communist Party of the United States (CPUSA) International Labor Defense (ILD), Great Depression, Harlem Renaissance, highways, infrastructure construction, Jazz, lynchings, memory, New Deal, New Negro, race, Race trials, racism, railways, roads, Scottsboro Trial (Alabama), stereotypes, U.S. One
INDIGENOUS PEOPLES THROUGH WESTERN EYES: VISITS TO THE WOLFSONIAN LIBRARY BY SOME COLOMBIAN SCHOLARS AND A GROUP OF YOUNG AFRICAN LEADERS
• July 15, 2015 • 1 CommentPosted in Boers, colonial propaganda, colonialism, decorative arts, displays, donations, Ethiopia, ethnohistory, FIU, Folklorists, gifts, graphic arts, Italian design, Italy, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, ocean liners, persuasive arts, political art, propaganda, propaganda arts, rare books and special collections library, South African War, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, Zulus
Tags: Art Deco posters, Aurelio Bertiglia (1891-?), Avram Glazer, Benito Mussolini (1883-1945), Block books, Boer Wars, carpets, Escuela de Diseno Grafico, Ethiopia, Frederic A. Sharf, Frijoles Canyon Pictoraphs, Great Northern Railway, Gustave Baumann, Hoke Denetsosie, Indian art, Indian culture, Indian dancers, indigenous art, Jean S. and Frederic A. Sharf Collection, Jill Glazer, John Collier, Jose Jairo Vargas, Joseph Campbell (1904-1987), Luz Helena Ballestas Rincon, Maude Oakes, medicine man, Native American art, Native American culture, Navaho, Navaho rugs, Navaho War ceremonial, Navajo, Navajo Indian Reservation, New Deal, Pictographs, Plains Indians, President Franklin D. Roosevelt, primers, sand paintings, Santa Fe (New Mexico), School of Graphic Design at the National University of Colombia, South African Wars, Symbols, Turkish periodicals, Universidad Nacional de Colombia, Winold Reiss (1886-1953)
OVERT / COVERT: MIAMI DADE COLLEGE STUDENTS USE WOLFSONIAN ART OBJECTS TO DECODE THE ICONOGRAPHY OF LABOR
• April 18, 2015 • 1 CommentPosted in 1930s, American left artists, Artists, Aryans, CCC, Communism, Communist Party of the United States of America, Communists, Constructivism, curators, FAP, Fascism, FDR, Federal One, Futurism, Great Depression, Hugo Gellert (1892-1985), interns, Italian design, Italy, leftist artists, Miami Dade College, Mitchell Wolfson Jr., museums, Nazi propaganda, New Deal, New Deal (1933-1939), New Deal era, NRA, photography, photomontage, political art, posters, propaganda, propaganda arts, propaganda posters, rare books and special collections library, Russia, skyscrapers, Soviet propaganda, Soviet Union, student curators, Student exhibit, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, WPA, youth movements
Tags: Adolf Hitler (1889-1945), Amanda E. Caceres, Benito Mussolini (1883-1945), Bill Iverson, Carolina Gutierrez, Cecilia Arellano, Charlie Chaplin, Civilian Conservation Corps (CCC), Diana E. Lopez, Fascist Italy, Federal Arts Project (FAP), Francis Xavier Luca, Franklin Delano Roosevelt (1882-1945), Freedom Tower, Giselle Gonzalez, Great Depression, Hugo Gellert (1892-1985), Italian Futurism, Jonathan Sanabria, Joseph Stalin (1879-1953), Juan D. Rojas, labor, Lea Nickless, Lewis Hine (1874-1940), Lynd Kendall Ward (1905-1985), Marta Palao, Miami Dade College, Mitchell Wolfson Jr., Mitchell Wolfson Jr. Study Centre, Modern Times (film), Museum of Art + Design, National Socialism, Nazi Germany, neo-classicism, New Deal, Overt/Covert (exhibition), Photomontage, propaganda, Russian Constructivism, Savannah Diaz, Soviet Union, student curators, Tennessee Valley Authority (TVA), work, working class, Yanelis Valdes
REMEMBER THE ALAMO, RIVERWALK, AND THE HEMISFAIR, SAN ANTONIO, TEXAS: THEN AND NOW
• April 30, 2014 • 1 CommentPosted in 1930s, American architects, architects, FDR, Federal Writers' Project, Great Depression, international expositions, Mitchell Wolfson Jr., New Deal, New Deal (1933-1939), New Deal era, NYA, preservation, rare books and special collections library, The Wolfsonian-FIU library, theatre, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, World's fairs, WPA
Tags: Along the San Antonio River (booklet), American Guide Series, “Remember the Alamo”, barges, domestic tourism, Edwin P. Arneson (1888-1938), engineers, exhibitions, Federal Writers' Project (FWP), flood prevention, floods, Great Depression, HemisFair ’68, Hemisfair Park, historic preservation, Juarez Plaza (San Antonio), La Villita (San Antonio), Manuel Ávila Camacho (1897-1955), Maury Maverick (1895-1954), Miguel Hidalgo y Costilla (1753-1811), National Youth Administration (NYA), New Deal, outdoor theatres, Pan American Day, President Franklin Delano Roosevelt (1882-1945), R. H. H. Hugman (1902-1980), River Beautification Project (San Antonio), San Antonio (Texas), San Antonio River, Southwestern Social Sciences Association Conference, Statues, Texas, Texas Independence movement, the Alamo, Work Projects Administration (WPA), Workers of the Writers’ Program, World’s Fairs
“BACK TO WORK” EXHIBIT OPENS IN THE WOLFSONIAN LIBRARY
• December 26, 2012 • Leave a CommentPosted in American left artists, Christopher DeNoon, curator, Digital Library Specialist, exhibitions, FDR, Federal One, FIU, FIU students, Florida International University, Florida International University students, Great Depression, History Department, leftist artists, library donors, Lynd Ward (1905-1985), museums, New Deal, New Deal (1933-1939), New Deal era, NRA, persuasive arts, photography, political art, propaganda arts, propaganda posters, rare books and special collections library, The Bonus March, Uncategorized, Wolfsonian, Wolfsonian fellows, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, WPA
Tags: art handlers, Back to Work: FDR and Labor's New Deal (Exhibit), David Almeida, Describing Labor (exhibition), Dr. Francis Xavier Luca, Esther Shalev-Gerz, Great Depression, Iris Sanchez-Ruiz, James Taylor, labor leaders, labor movement, Miami-Dade County schoolteachers, New Deal, Rosita Maria Sosa, strikes, Teaching American History Master's Degree Program, World War II