Behind the Scenes of a Wolfsonian Library Installation Examining the Dust Bowl
• December 20, 2023 • Leave a CommentPosted in 1930s, Artists, CCC, Christopher DeNoon, CLara Helena Palacio Luca, collectors, curators, Disaster relief, donations, exhibit cases, exhibitions, FAP, FDR, Federal Art Project (FAP), FIU community, FIU students, Florida International University students, Francis Xavier Luca, gifts, Great Depression, History Department, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, photography, postcards, posters, reception, student curators, Student exhibit, The Wolfsonian Library, Wolfsonian staff
Tags: 1919-1939, Alexandre Hogue, Amal Albaladejo, America & Movies: Between the Wars, black blizzards, buffalo hunt, Buffalo nickel, Burr Singer, Carlos Manuel Bleiker Morcillo, Children's books, Christopher DeNoon, Civilian Conservation Corps (CCC), Clara Helena Palacio Luca, drought, Dust Bowl, Dust Bowl refugees, dust pneumonia, dust storms, Dwayne Krier, Ecological crises, Erskine Caldwell, Farm Secuirty Administration (FSA), Francis Xavier Luca, Franklin Delano Roosevelt (1882-1945), FSA sanitary camps, George Lee, Golden Gate International Exhibition (San Francisco: 1939-1940), grasslands, Helen West Heller (1872-1955), Homestead Act of 1862, Indian Court Federal Building, Jeffrey Gold, land speculators, Louis Siegriest, Margaret Bourke-White, Missouri Woman (painting), Naomi Averill, Pennsylvania Writers' Project, Photographers, Plains Indians, railroad companies, Receptions, reforestation, Resettlement Administration (RA), sand dunes, Soil Conservation Act (April 1935), Soil Conservation Service (SCS), Soil Erosion Service (SCS), Sophia Medina, Steve Forero-Paz, the Great Plains, Valentina Berrio, wheat farms, William Kramer
First Among Photographers, Margaret Bourke-White
• June 14, 2021 • 1 CommentPosted in 1920s, 1930s, 1940s, 1950s, acquisitions, American war propaganda, Communism, donations, Francis Xavier Luca, gender, gifts, Great Depression, leftist artists, Leonard A. Lauder, library donors, Mitchell Wolfson Jr., New Deal era, photography, racism, Russia, Second World War (1939-1945), skyscrapers, Soviet Union, The Wolfsonian Library, War Photography, women, World War (1939-1945), World War II, WWII, youth movements
Tags: "Men and Machines" (exhibition : NY : 1930), Adolf Hitler, Alfred Hitchcock, Americanization, Americanization classes, Anti-Religious Museum (Moscow), Breadlines, Buchenwald (concentration camp), Central Europe, Chain gangs, Cold War, Czechoslovakia, Dams, Dear Fatherland Rest Quietly (book : 1945), drought, Dust Bowl, dust storms, Erskine Caldwell, Eyes on Russia (book : 1931), factories, Farm Security Administration photographs, FDR, Female steel workers, Five Year Plan, floods, Fort Peck Dam, Fortune (magazine), gargoyles, Great Depression, Gypsies, Harry Hopkins (1890-1946), heads of state, Henry Luce, Hitler Youth, Hitler-Stalin Pact, House Un-American Activities Committee (HUAC), Hungary, industrial workers, industry, Joseph Stalin (1879-1953), Korean War, Kremlin, Liebensraum, Life (magazine), Lifeboat (film : 1944), lifeboats, machines, Mahatma Gandhi, Margaret Bourke-White (1904-1971), McCarthyism, Moravia, Nazi occupation of Czechoslovakia, North of the Danube (book : 1939), Nursing, One Thing Leads to Another: The Growth of an Industry (book : 1936), Photographers, Popular Front, racism, Red Scare, Rockefeller Centre, Roosevelt Administration, rural poverty, Russia at War (book : 1942), Russian front, Say Is This the U.S.A. (book : 1941), schools, segregation, shacks, Sharecroppers, Slovakia, soil erosion, solvents, South, Soviet Union, Statue of Liberty, steel workers, Tenant farmers, They Called It "Purple Heart Valley" (book : 1944), War photography, welders, workers, You Have Seen Their Faces (book : 1937)
LOU REED: A WOLFSONIAN LIBRARY TRIBUTE
• October 29, 2013 • 1 CommentPosted in 1930s, American left artists, Artists, book art, Communist Party of the United States, Communist Party of the United States of America, Communists, graphic arts, graphic designers, Great Depression, Jews, leftist artists, museums, New Deal (1933-1939), New Deal era, persuasive arts, photography, political art, racism, rare books and special collections library, Scottsboro Trial, The Wolfsonian-FIU library, Uncategorized, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, women
Tags: African-Americans, American Artists' Congress, Book jackets, boxing, Breadlines, burlesque, Charles Laborde (1886-1941), Clare Veronica Hope Leighton, Communist Party of the United States (CPUSA), Comrade Gulliver, Dirty Boulevard (song), Dust jackets, Erskine Caldwell, Harlem Renaissance, Hugo Gellert (1892-1985), Ida Abelman, J. B. Turnbull, KKK, Ku Klux Klan, Lou Reed (1942-2013), low life, Lucienne Bloch, Margaret Bourke-White (1904-1971), Miss Liberty, New York City, Peter Berent, racism, Rues et visages de New-York, Song lyrics, Statue of Liberty National Monument, urban life, Winold Reiss (1886-1953)
Wolfsonian-FIU Library 