Giving Thanks and Debunking Myths
• November 24, 2020 • 3 CommentsPosted in book art, children's books, colonialism, donations, exhibitions, Francis Xavier Luca, gifts, graphic designers, Mitchell Wolfson Jr., photography, postcards, racism, skyscrapers, The Wolfsonian Library, Vintage postcards, Wolfsonian
Tags: A Century of Progress International Exposition (Chicago: 1933-1934), Alaska-Yukon-Pacific Exposition (1909: Seattle WA), Alexander Phimister Proctor, American flag, Apache Indians, assimilation, Black Partridge, bronze sculptures, Buffalo Bill's WIld West Show, Carl Rohl-Smith (1848–1900), Centennial International Exhibition (1876: Philadelphia), Charles M. Russell, Cheyenne Indians, Chicago, Chief Simon Pokagon, children, Christopher Columbus, civilization, Clara Helena Palacio Luca, colonists, Cowboys, Custer's Last Stand, disease, Edward Berge (1876-1924), Envelopes, equestrian statues, ethnic cleansing, Exhibition buildings, fair grounds, fair-goers, feasts, feather headresses, Fort Dearborn, General George Armstron Custer, harvest celebrations, human zoos, Indian Removal, Indian reservations, Indians, James Earle Fraser (1876–1900), Jamestown Exposition (1907), John Smith, King Philip's War, Louisiana Purchase International Exposition (1904 : St Louis), Massasoit, Metacom, Midways, Miss Columbia, Native Americans, pavilions, Penobscot Indians, Pequot Indians, Pilgrims, Plains Indians, Pocahontas, Potawatomi Indians, Powhatan Confederacy, President Andrew Jackson, Red Man's Greeting, rituals, riveters, Santa Clara Indians, savagery, sculpture, Sioux Indians, skyscrapers, spectators, Squanto, Statues, teepees, Thanksgiving, Tickets, Trans-Mississippi Exposition (1898 : Omaha Nebraska), Umatilla Indians, Ute Indians, viewbooks, Walt Disney, Walter Crane (1845-1915), Wampanoag Indians, white birch bark, wigwams, World's Columbian Exposition (1893 : Chicago), World's Fairs, Yakima Indian Reservation
France’s Overseas Empire on Display
• November 27, 2019 • Leave a CommentPosted in 1920s, 1930s, architects, architecture, Art Deco, colonial propaganda, colonialism, displays, ethnohistory, exhibitions, FIU, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, international expositions, library donors, Mitchell Wolfson Jr., museums, political art, postcards, posters, propaganda, racism, rare books and special collections library, The Wolfsonian Library, Wolfsonian library, Wolfsonian library collection, Wolfsonian staff, World's fairs
Tags: Africa, Albert Laprade, Alfred Janniot, Anja Decker, Arthur Dupagne, bas relief, Belgian Congo, Colonial expositions, colonialism, Colonies, Dahomey, Exhibition buildings, Exposition Coloniale de Marseille (1922), Exposition coloniale internationale de Paris (1931), Exposition internationale des arts décoratifs et industriels modernes (1925 :Paris), Exposition Universelle (1900 : Paris), FIU Professor Maria Antonieta Garcia, France's overseas empire, Francophiles, French colonies, gender, human zoos, indigenous peoples, interracial couples, Jaussely, Madagascar, modernism, Musée Permanent des Colonies, native peoples, North Africa, nudes, Palais de la Porte Doree, pavilions, Petit Journal, postcards, posters, primitivism, sculpture, Senegal, Strange Couple (painting : 1934)
War and Remembrance
• October 30, 2018 • 2 CommentsPosted in 1920s, 1930s, American war propaganda, Austria, displays, donations, First World War (1914-1918), FIU, FIU community, Florida International University, Francis Xavier Luca, gifts, graphic arts, Great Britain, Great Depression, Harald Engman, Italy, library donors, Mitchell Wolfson Jr., museums, Nazism, postcards, posters, propaganda, propaganda posters, rare books and special collections library, The Wolfsonian-FIU library, War Photography, war propaganda, Wolfsonian, Wolfsonian Education Department, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian staff, Wolfsonian-FIU library, Wolfsonian-FIU library exhibitions, World War (1914-1918), World War I, WWI
Tags: A. G. Santagata, Anzac Memorial, Art Deco, bas relief, Bonus Expeditionary Force, C. R. W. Nevinson, Combat Hippies, Dialogues on the Experience of War, Egeo Venturi, FIU, Florida State University Institute for World War II and the Human Experience, George Grosz (1893-1959), Irving Marantz, Jean Carlu, Jessica L. Adler, Kathe Ko, Kathe Kollwitz, La Dette (the debt), lobbying, Miami Vet Center of the Department of Veterans Affairs (VA), murals, NAH, National Endowment for the Humanities, Otto Beyer, Paintings, Periodicals, portfolios, PTSD, recruiting posters, sculpture, Shell-shock, Soldiers, trenches, veterans, Vorticism, war, War and Healing, war artists, War memorials, war monuments, War photography, Wit as Weapon: Satire and the Great War (Wolfsonian library installation), World War I, Zoe Welch
Through a Glass Darkly: Colonial Views of Africa
• July 26, 2018 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, children's books, Children's propaganda books, colonial propaganda, colonial tourism, colonialism, cruise ships, displays, donations, Dr. Nicolae Harsanyi, Ethiopia, exhibitions, Fascism, Florida International University, Francis Xavier Luca, Frederic A. Sharf, Italy, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Mitchell Wolfson Jr., museums, Nazi propaganda, ocean liners, passenger ships, photography, postcards, rare books and special collections library, Steve Heller, The Wolfsonian-FIU library, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Zulus
Tags: 1910, 1935, 1937 Exposition Internationale des Arts et Techniques (Paris), Addis Abeba (Ethiopia), Adua (Ethiopia), Africa, Africans, Africans in art, Akbaba (Turkish periodical), Arthur Dupagne, Belgian Congo, Benito Mussolini, Benito Mussolini (1883-1945), Botswana, Brussels, Burkina Faso, calendars, Cameroon, Carl Weller, Children's propaganda books, collecting cards, Colonial expositions, Colonial tourism, colonialism, Colonies, Compagnie Belge Maritime du Congo, Congo, Cote d’Ivoire, Deutsche Afrika-Linien, Deutsche Ost-Afrika-Linie, diaries, displays, Dr. Francis Xavier Luca, Dr. Nicolae Harsanyi, Eritrea, Ethiopia, Exhibition buildings, games, Ghana, Guinea, Huts, Italian Empire, Italo-Ethiopian War (1895-1896), Italo-Ethiopian War (1935-1936), Jean S. and Frederic A. Sharf Collection, journals, Kraft durch Freude (Strength through Joy), La Barre à Mine (Mining Bar), Lamy, Laurence Miller, Liberia, Madagascar, Malawi, Mali, Mandela Washington fellows, menus, Namibia, Nazis, Niger, Nigeria, ocean liners, pavilions, photograph albums, photographs, postcards, propaganda, Rwanda, S.S. Leopoldville, Samoliland, Scrapbooks, sculpture, Sketchbooks, South Africa, Steve Heller, the Democratic Republic of the Congo, the United Republic of Tanzania, Union Castle Line, Woermann-Linie, Zambia, Zanxibar, Zulus
Havana, Cuba, Yesterday and Today
• August 8, 2016 • 1 CommentPosted in 1920s, 1930s, acquisitions, American architects, architects, architecture, collectors, Communism, Cuba, curators, donations, exhibitions, First World War (1914-1918), Francis Xavier Luca, gifts, hotels, library donors, memorabilia, museums, photography, postcards, prohibition, The Wolfsonian-FIU library, theatre, theatrical producers, Vicki Gold Levi, Vintage postcards, Wolfsonian, Wolfsonian library collection, Wolfsonian staff, Wolfsonian-FIU exhibitions, World War I, WWI
Tags: Aldo Gamba (sculptor: 1881-1944?), Alica Alonso Grand Theater (Havana), Art Deco office buildings, Bacardi headquarters (Havana), Cabarets, Capitol building, Casinos, Cuba, El Capitolio, El Malecon, El Morro Castle (Havana), El Prado (Habana), Fountains, Gran Casino Nacional, Habana, Havana (Cuba), Hotel Inglaterra (Havana), Hotel Nacional de Cuba, Hotel Plaza (Havana), Hotels, Marianao (Cuba), Martin Fox, Max Borges Jr. (architect), Prohibition, Promising Paradise: Cuban Allure--American Seduction (Wolfsonian exhibition), Roderico Neyra, San Souci (Nightclub), Schultz and Weaver (architectural firm), sculpture, Tropicana (Nightclub), Vicki Gold Levi Collection
Wolfsonian-FIU Library 