Varied Views for a Variety of Visitors
• December 15, 2023 • Leave a CommentPosted in 1920s, acquisitions, African American History, Art Basel, Artists, bindings, book art, children's books, Cuba, curator, dance, Disney, displays, Dr. Nicolae Harsanyi, exhibitions, Francis Xavier Luca, French consulate, gifts, graphic designers, library donors, Michelle Oka Doner, Mitchell Wolfson Jr., museums, Orientalism, prohibition, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff, World's fairs
Tags: 1939-1940 New York World's Fair, 1964-1965 New York World's Fair, A. Assus, Aaron Douglas (1899-1979), Al Hirschfeld, Alex Rigorard, All the World's a Stage: The Sketchbooks and Theatrical Designs of Albert Wainwright (Wolfsonian Library installation), André Suréda, Art Basel, Atomium, celebrities, Charles Laborde (1886-1941), collecting cards, Colonies, Cuba, dancers, Daniel Morris, Donald Deskey, ephemera, Expo '58 (Brussels), Exposition coloniale internationale, FIU, FIU Professor Maria Antonieta Garcia, Folies Bergere, France, France's overseas empire, Francis Xavier Luca, French Guiana, French Orientalists, Futurama, Guyane francaise, Harlem Renaissance, Josephine Baker, La Reunion, La Tunisie, LACMA, Louis Antoni, Marco Brambilla, Maurice Bouviolle, movies stars, Museo de Arte Contemporaneo de Monterrey (Mexico), paper toys, Paul Colin (1892-1985), pop-up books, Progressland, Prohibition, revues, Sheet music covers, singers, Sketchbooks, the Charleston (dance), tourism, Walt Disney
Celebrating the Legacy of Josephine Baker
• December 16, 2021 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, African American History, Civil Rights Movement, CLara Helena Palacio Luca, colonial propaganda, Cuba, dance, displays, donations, erotic art, France, Francis Xavier Luca, French consulate, gender, gifts, graphic arts, library donors, Mitchell Wolfson Jr., Occupied France, playbills, programs, promotional materials, racism, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, women, World War (1939-1945), World War II, WWII
Tags: Art Deco, Cabarets, celebrations, celebrities, civil rights, Consulate General of France in Miami, Copa City (nightclub : Miami Beach), cosmopolitanism, Croix de Guerre, dancers, Exposition Coloniale Internationale (Paris: 1931), Folies Bergere, French Pantheon, French Resistance, Havana (Cuba), Jazz Age, Jim Crow, Joséphine à Bobino 1975 (revue), Josephine Baker, Legion d'honneur, March on Washington (1963), modernism, naturalism, Paris (France), Paul Colin, performers, pochoirs, primitivism, Princess Tam-Tam (film : 1935), racism, segregation, singers, Siren of the Tropics (silent film : 1927), the Charleston (dance), Tropicana (Nightclub), Zouzou (film : 1934)
The Tropicana Nightclub and How Cuban Women Fared Before, During, and After Fidel
• November 30, 2021 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, acquisitions, Communists, Cuba, dance, donations, Francis Xavier Luca, gender, gifts, graphic arts, library donors, memorabilia, Mitchell Wolfson Jr., models, museums, photography, postcards, posters, programs, promotional materials, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff, women
Tags: "new woman", 1933, afrocubanismo, Ala Izquierda Estudiantil, American imperialism, Anacaona (band), Anacaona (Haitian cacica), Arcos de Cristal, Auténtico Party, barbudos, bobbed hair, burlesque, Cabarets, Carnival, Carteles (magazine), Casinos, Charles Gibson, choreographers, Cold War, Concepción (“Cuchito”) Castro Zaldarriaga, Conrado Walter Massaguer, corruption, counterrevolutionaries, Cuba, Cuban Caricature and Culture: The Art of Massaguer (Wolfsonian installation), Cuban musicians, Cuban presidents, Cuban Rebel Girls (film : 1959), Cuban Republic, Cuban Research Institute, Cuban-American filmmakers, dancers, Department of Social Ills, dictators, documentaries, Eden Concert, Errol Flynn, ethnicity, fans, Federación de Mujeres Cubanas, Federación Democrática de Mujeres Cubanas, female musicians, feminists, Fidel Castro, flappers, Folies Bergere, Frente Cívico de Mujeres Martianas (FCMM), gambling, gangsters, gender, Gerardo Machado (1871-1939), Gibson Girls, girl bands, Havana, Havana (Cuba), Hermandad de Madres de Marta Abreu, I Am Cuba (film), impresarios, JFK Library (Hialeah), jineteras, Life (magazine), Manuel Urrutia, Marianao (Cuba), Martin Fox, Massa-Girls, Miguelito Valdés, models, Mujeres Oposicionistas Unidas (M.O.U.), mulattas, musicians, Nightclubs, Ortodoxo party, performers, Promising Paradise: Cuban Allure--American Seduction (Wolfsonian exhibition), Prostitutes, prostitution, race, Ramón Grau, reeducation, rehabilitation, revolution, revolutionaries, Rita Montaner, Roderico Neyra, Rompiendo las Cadenas (film), rumba, singers, Social (magazine), Soy Cuba (film), striptease, Tetro Shanghai, tourists, Tropicana, Tropicana (Nightclub), vedettes, Vicki Gold Levi Collection, Victor de Correa, vintage photographs, We Were Strangers (film), women
The Harlem Renaissance Comes to The Wolfsonian
• February 22, 2019 • Leave a CommentPosted in 1920s, 1930s, acquisitions, African American History, Artists, bindings, Civil Rights Movement, collectors, colonial propaganda, colonialism, dance, decorative arts, displays, donations, erotic art, ethnohistory, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, Great Britain, Great Depression, library donors, Mitchell Wolfson Jr., museums, New Deal era, pochoirs, portfolios, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library
Tags: Aaron Douglas, African American art, African American artists, African American performers, African American poets, Alain LeRoy Locke, America & Movies: The Black Image in Hollywood and History, Body and Soul (film: 1925), Charles Cullen, colonialism, Countee Cullen, Daniel Morris, Elanor Colburn, Folies Bergere, Harlem Renaissance, Harmon Foundation, Historical Design, James Weldon Johnson, Jazz Age, Josephine Baker, Langston Hughes, Le Tumulte Noir, Mabel Dwight, madonna, Miguel Covarrubias, modernism, mothers and children, NAACP, naturalism, Negro Uplift, Oscar Micheaux, Paul Colin, Paul Robeson, poetry, primitivism, the Charleston (dance), The Crisis, The Emperor Jones (film: 1933), The New Negro: An Interpretation, Winold Reiss, Zora Neale Hurston
Clear the Tables! French, Cuban, Native American, and Bakehouse Appetizers
• May 22, 2018 • Leave a CommentPosted in archives, Art Deco, book art, CCC, Christopher DeNoon, Civilian Conservation Corps, CLara Helena Palacio Luca, collectors, colonial propaganda, colonialism, Cuba, curators, decorative arts, displays, donations, Dutch Art Nouveau, FDR, Federal One, FIU students, Florida International University, Florida International University students, forestry, Francis Xavier Luca, gender, gifts, graphic arts, graphic designers, health, library donors, Lynd Ward (1905-1985), memorabilia, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, portfolios, postcards, promotional materials, rare books and special collections library, The Wolfsonian-FIU library, Vicki Gold Levi, Vintage postcards, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1914-1918), World War I, WWI
Tags: 18th Amendment (Prohibition), Afrique Equatoriale, Afro-Cuban jazz, Ah-Tah-Thi-Ki Museum, Art Deco facades, baked goods, Bakehouse Art Complex, bars, Batik, Borden, Brochures, Casinos, CCC camps, cha cha cha, Chemins de fer, Chris Horn, Christopher DeNoon, Cinemas, Civilian Conservation Corps (CCC), Conrado W. Massaguer, cows, Crypt Cracking, Dahomey, Emily Barber, ephemera, ethnicity, Everglades National Park, Exposition coloniale internationale, Folies Bergere, Fortunato Depero (1892-1960), Franklin Delano Roosevelt, Fredolin Kessler, French cinema, French colonies, French Empire, French language students, French literature, French Soudan, French Tunisie, game boards, Getty Council Members, Glacier National Park, Grand Canyon, Havana (Cuba), Havana American Jockey Club, Havana Widows (film : 1933), Heather Cook, Hotels, Into the Stacks (Wolfsonian public program), Kellogg Company, Louis Miano, mambo, Maria Antonette Garcia, Maria Antonieta Garcia, Michigan Art and Craft Project (Detroit), mimeographs, Montmartre (nightclub : Havana), Nathaniel Sandler, National Parks, Native Americans, Navajo Indians, North Pacific Coast Indians, Osceola, photographs, portraits, postcards, Prohibition, race, Railroads, rare periodicals, recipe books, record jackets, rhumba, Rosa Lowinger, rumba, Rumba (film : 1935), San Souci (nightclub : Havana), Seminole Indians, Sewing machines, silk screen, Sloppy Joe's, Sound recordings, The Christopher DeNoon Collection for the Study of New Deal Culture, theater, tobacco advertising, Trains, Tropicana (nightclub : Havana), U.S. Forest Service, U.S.-Cuba tourist trade, Vicki Gold Levi Collection, VIP visitors, Winold Reiss (1886-1953), Work Projects Administration, WPA
In Praise of Folies: A Wolfsonian Homage to the Folies Bergère
• November 30, 2016 • Leave a CommentPosted in 1920s, Cuba, dance, erotic art, library donors, Mitchell Wolfson Jr., playbills, rare books and special collections library, The Wolfsonian-FIU library, theatre, theatrical producers, Vicki Gold Levi, Wolfsonian library, Wolfsonian library collection, Wolfsonian-FIU library
Tags: "Place aux Jeunes", burlesque, dance halls, Edouard Manet, Folies Bergere, Havana (Cuba), Henri de Touluse-Lautrec, Josephine Baker, light opera, musical revues, nude revues, pantomime, Paris (France), Pre-Castro Cuba, striptease, theatrical venues, Vaudeville
LOVE KNOWS NO BOUNDARIES: A WOLFSONIAN REFLECTION ON THE SUPREME COURT RULING ON SAME-SEX MARRIAGE
• June 27, 2015 • Leave a CommentPosted in 1920s, Art Deco, Wolfsonian library, Wolfsonian library collection, Wolfsonian-FIU library
Tags: 1920s, Art Deco, dancers, Folies Bergere, Frank MacCoy Harshberger (1900-1975), gay marriage, graphic artists, illustrated books, Kay Harshberger, life partners, lyricists, music composers, Nina Payne, Paris, same-sex marriage, Sheet music covers
Wolfsonian-FIU Library 