From Prohibition and Flappers to New Dealers and the Lunatic Fringe: Wolfsonian Library Collection Highlights
• November 21, 2023 • Leave a CommentPosted in 1920s, 1930s, Artists, bars, Blue eagle, Cuba, donations, FDR, Federal Art Project (FAP), Federal One, FIU, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gifts, graphic arts, graphic designers, History Department, leftist artists, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, NRA, postcards, programs, prohibition, promotional materials, rare books and special collections library, The Wolfsonian Library, Wolfsonian staff
Tags: African-Americans, alcoholism, Alfred E. Neuman, beer, bootleggers, Carteles (magazine), Christopher DeNoon, Communists, Conrado Walter Massaguer, Cuba, Demagogues, Eleanor Roosevelt, fans, Father Charles Coughlin (1891-1979), Federal Art Project (FAP), Federal Music Project (FMP), Federal Theatre Project (FTP), Federal Writers' Project (FWP), flappers, Francis Townsend, Franklin D. Roosevelt, gangsters, Gibson Girls, Great Depression, Huey Pierce Long (1893-1935), Jazz Age, Mad magazine mascot, National Recovery Administration, New Deal art, new woman ideal, NRA, postcards, Prohibition (1919-1933), rum runners, sheet music, Sheet music covers, Social (magazine), Socialists, speakeasies, the New Boy, Upton Sinclair, Vicki Gold Levi, Works Progress Administration (WPA), WPA
Celebrating the Legacy of Josephine Baker
• December 16, 2021 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, African American History, Civil Rights Movement, CLara Helena Palacio Luca, colonial propaganda, Cuba, dance, displays, donations, erotic art, France, Francis Xavier Luca, French consulate, gender, gifts, graphic arts, library donors, Mitchell Wolfson Jr., Occupied France, playbills, programs, promotional materials, racism, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, women, World War (1939-1945), World War II, WWII
Tags: Art Deco, Cabarets, celebrations, celebrities, civil rights, Consulate General of France in Miami, Copa City (nightclub : Miami Beach), cosmopolitanism, Croix de Guerre, dancers, Exposition Coloniale Internationale (Paris: 1931), Folies Bergere, French Pantheon, French Resistance, Havana (Cuba), Jazz Age, Jim Crow, Joséphine à Bobino 1975 (revue), Josephine Baker, Legion d'honneur, March on Washington (1963), modernism, naturalism, Paris (France), Paul Colin, performers, pochoirs, primitivism, Princess Tam-Tam (film : 1935), racism, segregation, singers, Siren of the Tropics (silent film : 1927), the Charleston (dance), Tropicana (Nightclub), Zouzou (film : 1934)
The Harlem Renaissance Comes to The Wolfsonian
• February 22, 2019 • Leave a CommentPosted in 1920s, 1930s, acquisitions, African American History, Artists, bindings, Civil Rights Movement, collectors, colonial propaganda, colonialism, dance, decorative arts, displays, donations, erotic art, ethnohistory, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, Great Britain, Great Depression, library donors, Mitchell Wolfson Jr., museums, New Deal era, pochoirs, portfolios, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library
Tags: Aaron Douglas, African American art, African American artists, African American performers, African American poets, Alain LeRoy Locke, America & Movies: The Black Image in Hollywood and History, Body and Soul (film: 1925), Charles Cullen, colonialism, Countee Cullen, Daniel Morris, Elanor Colburn, Folies Bergere, Harlem Renaissance, Harmon Foundation, Historical Design, James Weldon Johnson, Jazz Age, Josephine Baker, Langston Hughes, Le Tumulte Noir, Mabel Dwight, madonna, Miguel Covarrubias, modernism, mothers and children, NAACP, naturalism, Negro Uplift, Oscar Micheaux, Paul Colin, Paul Robeson, poetry, primitivism, the Charleston (dance), The Crisis, The Emperor Jones (film: 1933), The New Negro: An Interpretation, Winold Reiss, Zora Neale Hurston