Archive for the '1930s' Category
Cuba Mania Month
• October 1, 2019 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, acquisitions, Artists, collectors, displays, donations, exhibitions, Francis Xavier Luca, gifts, graphic arts, graphic designers, Great Depression, library donors, memorabilia, museums, photography, programs, prohibition, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff
Tags: "Mr. Babalú", 18th Amendment (Prohibition), 1919, A Century of Progress International Exposition, Affair in Havana (film : 1957), Another Thin Man (film: 1939), Art Deco, Art Loft (Public Television), Arthur Murray Dance Studios, bars, bodeguitas, Books & Books (Coral Gables), Caricaturas (Wolfsonian Library installation), caricaturists, Carol Lombard, Celia Cruz, cha cha cha, Cha-Cha-Cha Boom! (film: 1956), Conrado W. Massaguer, Cuba, Cuban Caricature and Culture: The Art of Massaguer (Wolfsonian installation), Cuban Rebel Girls (film), dance, Delphic Studios (NYC), Desi Arnaz, Dick Powell, documentaries, El Figaro (magazine), El Manisero (song), Emilio Cueto, ephemera, Errol Flynn, Errol Flynn's Ghost (documentary), exploitation films, Fidel Castro, fox trot, Fred F. Sears, Fulgencio Batista, Gaspar Gonzalez, George Raft, Gerardo Machado, Gran Casino Nacional (Havana), Havana (Cuba), Havana Widows (film : 1933), Holiday in Havana (film), Hollywood actors, Joan Blondell, La Florida (bar), Lawrence Tibbett, Lupe Velez, mambo, Mambo Italiano (song), Margo, Mary Hatcher, MGM, Miami's Vinyl Social Club, Miguelito Valdés, Moonlight in Havana (film), mulatas, music, O Cinema, Pan-Americana (film), Papa Loves Mambo (song), Perez Prado, Perry Como, record jackets, record players, Rene and Estela (dancers), rhumba, Rosa Lowinger, Rosemary Clooney, rumba, Rumba (film : 1935), rumbera, Sheet music covers, Sloppy Joe's Bar, son pregon, Sound recordings, The Big Boodle (film), The Cuban Love Song (film: 1931), The Peanut Vendor (song), The Wolf on Wax, tourism, Vicki Gold Levi Collection, Week-End in Havana (film: 1941), Xavier Cugat
Caricaturist Conrado W. Massaguer and His Contemporaries
• August 20, 2019 • Leave a CommentPosted in 1930s, 1940s, 1950s, acquisitions, Adolf Hitler caricatures, Anti-Nazi propaganda, CLara Helena Palacio Luca, collectors, curator, donations, exhibitions, Fascism, Folklorists, Francis Xavier Luca, gifts, graphic arts, library donors, Mitchell Wolfson Jr., museums, persuasive arts, photography, political art, promotional materials, propaganda, propaganda arts, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, Vicki Gold Levi, war propaganda, Wolfsonian, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian staff, World War II, WWII
Tags: Adolf Hitler caricatures, Alfredo de Zayas y Alfonso, American Weekly (magazine), Armando G. Menocal y G. Menocal, Axis, Babe Ruth, Benito Mussolini (1883-1945), Bohemia (magazine), Bohemia Libre (magazine), Calvin Coolidge, caricatures, caricaturists, celebrities, celebrity culture, Charles de Gualle, Charlie Chaplin, Chian Kai-shek, Conrado W. Massaguer, Cuba, Cuban caricaturists, Cuban exiles, Cuban presidents, Cubans, DiazCasas Collection, dictators, Diego Rivera, Don Alfonso XIII, Duke of WIndsor, Emperor Hirohito of Japan, Enrico Caruso, Fidel Castro, Florence Mills, Franklin Delano Roosevelt (1882-1945), Fulgencio Batista, games, General Francisco Carillo, Gerardo Machado, Ghandi, Harlem Renaissance, John D. Rockefeller, Jose Cecilio Hernandez Cardenas (Hercar), Joseph Stalin (1879-1953), Juan Eduardo David Posada (David), Karikato (magazine), King Victor Emmanuel III of Italy, Latin American illustrators, Martijn F. Le Coultre, mass media, Maurice Chavalier, Mexican caricaturists, Mexico, Miguel Covarrubias (1904-1957), movie stars, Nazis, New Yorker (magazine), Office of the Coordinator of Inter-American Affairs, Paul Whiteman, pictorial wit and humor, playing cards, politicians, portraits, Prince of Wales, public opinion, Queen Elizabeth II, Ramon Arroyo Cisneros (Arroyito), Ramon Grau San Martin, record album covers, Romulo Betancourt, Salon de Humoristas, Santa Claus, Satire, self-portraits, Sir Winston Churchill (1874-1965), Social (magazine), the Duke and Duchess of Windsor, Vanity Fair (magazine), world leaders, Xavier Cugat (1900-1990), Yucef Merhi
Italian Ethiopia at The Wolfsonian Library
• August 6, 2019 • 1 CommentPosted in 1930s, acquisitions, colonial propaganda, colonialism, donations, Ethiopia, Fascism, Francis Xavier Luca, Frederic A. Sharf, gender, gifts, Great Britain, Italy, library donors, Mitchell Wolfson Jr., ocean liners, passenger ships, Photograph albums, political art, portfolios, postcards, posters, propaganda, propaganda posters, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, war propaganda, Wolfsonian fellows, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: Abissinia, Addis Abeba (Ethiopia), Akbaba (magazine), anthropology, anti-imperialism, Antonio Arias Bernal (1914-1960), Ascari troops, atrocities, Aurelio Bertiglia, Autarky, Battle of Adwa, Benito Mussolini, Black Venus, British Somaliland, calendars, caricatures, collecting cards, Compagnia Italiana Liebig (Milano), Daniel Morris, East Africa, Enrico Cerulli, Eritrea, fans, fasces, gallows, General Baratieri, Haile Selassie, Harry Gannes, Historical Design, History Revealed, Il Travaso delle Idee, Italo-Ethiopian War (1895-1896), Italo-Ethiopian War (1935-1936), James De Lorenzi, James W. Ford, Jean S. and Frederic A. Sharf Collection, King Victor Emmanuel III of Italy, League of Nations, Maps, March on Rome (1922), Marshal Graziani, Menelik II, military conquest, Ministero Africa Italiana, National Fascist Party (PNF), Nero, North African migrants, Orientalism, Orientalists, poison gas, postcards, Red Cross, road-building, school notebooks, sexual conquest, Sheet music covers, slavery, Tanks, Vulcania (steamship)
The Artwork and Caricatures of Conrado Walter Massaguer
• May 31, 2019 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, acquisitions, Artists, collectors, Cuba, donations, exhibitions, Francis Xavier Luca, gender, gifts, graphic arts, graphic designers, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, NRA, promotional materials, The Wolfsonian Library, Wolfsonian staff, World's fairs
Tags: "new woman", Advertisements, Allied leaders, Art directors, artists, Bacardi, bellboys, Benito Mussolini, bobbed hair, Calvin Coolidge, caricatures, caricaturists, carousels, Carteles (magazine), Casino Nacional (Havana Cuba), celebrities, Censorship, Charles Dana Gibson, Charlie Chaplin, Che Guevara, Collier's (magazine), Conrado W. Massaguer, Cosmo Hamilton's People Worth Talking About (book), Cuba, Cuban pavilion, Cuban presidents, Cuban Republic, Cubans, Delphic Studio (New York City), dominos, El Figaro (magazine), Emilio Cueto, Fidel Castro, flappers, Fulgencio Batista, Gerardo Machado, Ghandi, Gibson Girls, Grafico (magazine), Great Depression, Greta Garbo, Guignol (book), Havana, Havana (Cuba), Havana Ateneo, high society, honeymoon, Jaime Valls, Keseven Anuncios (Advertising firm), King Features Syndicate, La Primera Exposicion de Humor, Laredo Bru, League of Nations, Leonard Finger, Life (magazine), Magazines, Maltina, Mana-Zucca, Mario G. Menocal, Massa-Girls, Maurice Chevelier, Mercurio (Advertising firm), Merida, merry-go-rounds, Mexico, Miami Music Club, Mimi Aguglia, Minoristas (group of artists), modernists, murals, National Recovery Administration (NRA), New Deal, New York City, New York Military Academy, New York World's Fair (1939-1940), NRA, Oscar Massaguer, publishers, Ramiro Fernandez, revolutionaries, Rudyard Kipling, rumba dancers, rumberas, Santa Claus, sexual liberation, Sheet music covers, Social (magazine), Son Cubano, Stock Market Crash, The Miami News (newspaper), The New Tropic, The New York World's Fair (1939-40), Today (magazine), tourism, tourist trade, tourists, trend-setters, Waldorf-Astoria, women, world leaders, Yucatan
A Flurry of Wolfsonian Library Installations and Displays
• May 2, 2019 • 2 CommentsPosted in 1930s, 1940s, 1950s, acquisitions, Adolf Hitler caricatures, American war propaganda, Anti-Nazi propaganda, archives, Art Deco, Artists, Bernarr Macfadden, book art, collectors, displays, donations, erotic art, exhibit cases, Fascism, Federal One, FIU, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, Green Library, History Department, hotels, Italian design, Italy, library donors, memorabilia, Mitchell Wolfson Jr., museums, New Deal era, persuasive arts, Philippines, photography, Physical culture, Physical Culture movement, pochoirs, political art, portfolios, postcards, posters, propaganda, propaganda posters, rare books and special collections library, student curators, The Wolfsonian Library, Vicki Gold Levi, War Photography, war propaganda, Wolfsonian, Wolfsonian library collection, Wolfsonian staff, World War (1939-1945), World War II, WWII
Tags: Adolf Hitler caricatures, aids, AIGA Miami, Alert (magazine), Althea (Vicki) Silvera, Aristotle [Chakiris] Ares USS Yorktown Collection, Art Deco hotels, Art Deco motifs, Arthur Zaidenberg, barracks, Battle of Midway, Benito Mussolini caricatures, Bologna (Italy), butterflies, Chief librarian, Clara Helena Palacio Luca, condoms, correspondence, deviant sexual behavior, Dick Lesseraux, digital collections curator, Dolores S. Lesseraux, Dolores Trenner, Erin Heffron, erotica, Federal Arts Project, Florida Department of Health in Miami-Dade County, Fortunato Depero, Francis Xavier Luca, Gender roles, gonorrhea, Green Library, Historical Design, hiv, HIV/Aids awareness posters, Homosexuality, humor, Insects, installations, Japanese destroyers, Judith Berson-Levinson, lesbianism, madonna, Manila (Philippines), Mel Victor WWII Pacific Theater Collection, menus, Miami (Florida), Miami Air Depot, Miami Beach (Florida), Naval battles, Pacific Theater, Pamphlets, Physical Culture (magazine), pochoirs, portfolio plates, postcards, Posterfest, Posterfest: Design for Good 2019, proofs, prostitution, public health, pulp paperbacks, rationing, Rosie the Riveter, Sand in their Boots archive, Seguy, sex, sex advice, sexual behavior, syphilis, Terrence G. Peterson, Tojo caricatures, U.S. Army Air Forces, Uncle Sam, Uniforms, USS Lexington (aircraft carrier), USS Yorktown (aircraft carrier), venereal disease, Victory, Victory Gold Levi Collection, warships, Women war workers, Women's Army Auxiliary Corps, Yucef Merhi
Celebrating International Women’s Day 2019 with the Girls Scouts
• March 19, 2019 • Leave a CommentPosted in 1930s, Art Deco, book art, CCC, Christopher DeNoon, Civilian Conservation Corps, CLara Helena Palacio Luca, Communism, curator, displays, Fascism, FDR, First World War (1914-1918), Francis Xavier Luca, gender, gifts, library donors, memorabilia, Mitchell Wolfson Jr., Nazi propaganda, Nazism, New Deal, New Deal (1933-1939), New Deal era, Physical culture, physical fitness, political art, postcards, propaganda, rare books and special collections library, Russia, Soviet Union, Steve Heller, The Wolfsonian Library, totalitarian, Violet Oakley (1874-1961), women, World War I, WWI, youth movements
Tags: Benito Mussolini (1883-1945), Boy Scouts, Christopher DeNoon, Civilian Conservation Corps (CCC), delinquency, Eleanor Roosevelt, Figli della Lupa (Children of the she-wolf), forest fires, Franklin Delano Roosevelt, gender equality, gender issues, Gender roles, Girl Scout Troop 1239, Girl scouts, Great Britain, Hitler Jugend, Hitler Youth, International Women's Day (March 8 2019), Joel Hoffman, League of Nations (10th Assembly 1929), male chauvinism, militarization of youth, Mocidade Portuguesa Feminina, National Forests, National Parks, National Youth Administration (NYA), Opera Nazionale Balilla (ONB), sexism, Shoshana Resnikoff, State Parks, Suffragettes, Suffragists, Sylvia Pankhurst, tree-planting, Violet Oakley (1874-1961), Wild Boys of the Road (1933 film trailer), Young Pioneers
The Harlem Renaissance Comes to The Wolfsonian
• February 22, 2019 • Leave a CommentPosted in 1920s, 1930s, acquisitions, African American History, Artists, bindings, Civil Rights Movement, collectors, colonial propaganda, colonialism, dance, decorative arts, displays, donations, erotic art, ethnohistory, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, Great Britain, Great Depression, library donors, Mitchell Wolfson Jr., museums, New Deal era, pochoirs, portfolios, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library
Tags: Aaron Douglas, African American art, African American artists, African American performers, African American poets, Alain LeRoy Locke, America & Movies: The Black Image in Hollywood and History, Body and Soul (film: 1925), Charles Cullen, colonialism, Countee Cullen, Daniel Morris, Elanor Colburn, Folies Bergere, Harlem Renaissance, Harmon Foundation, Historical Design, James Weldon Johnson, Jazz Age, Josephine Baker, Langston Hughes, Le Tumulte Noir, Mabel Dwight, madonna, Miguel Covarrubias, modernism, mothers and children, NAACP, naturalism, Negro Uplift, Oscar Micheaux, Paul Colin, Paul Robeson, poetry, primitivism, the Charleston (dance), The Crisis, The Emperor Jones (film: 1933), The New Negro: An Interpretation, Winold Reiss, Zora Neale Hurston
