Varied Views for a Variety of Visitors
• December 15, 2023 • Leave a CommentPosted in 1920s, acquisitions, African American History, Art Basel, Artists, bindings, book art, children's books, Cuba, curator, dance, Disney, displays, Dr. Nicolae Harsanyi, exhibitions, Francis Xavier Luca, French consulate, gifts, graphic designers, library donors, Michelle Oka Doner, Mitchell Wolfson Jr., museums, Orientalism, prohibition, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff, World's fairs
Tags: 1939-1940 New York World's Fair, 1964-1965 New York World's Fair, A. Assus, Aaron Douglas (1899-1979), Al Hirschfeld, Alex Rigorard, All the World's a Stage: The Sketchbooks and Theatrical Designs of Albert Wainwright (Wolfsonian Library installation), André Suréda, Art Basel, Atomium, celebrities, Charles Laborde (1886-1941), collecting cards, Colonies, Cuba, dancers, Daniel Morris, Donald Deskey, ephemera, Expo '58 (Brussels), Exposition coloniale internationale, FIU, FIU Professor Maria Antonieta Garcia, Folies Bergere, France, France's overseas empire, Francis Xavier Luca, French Guiana, French Orientalists, Futurama, Guyane francaise, Harlem Renaissance, Josephine Baker, La Reunion, La Tunisie, LACMA, Louis Antoni, Marco Brambilla, Maurice Bouviolle, movies stars, Museo de Arte Contemporaneo de Monterrey (Mexico), paper toys, Paul Colin (1892-1985), pop-up books, Progressland, Prohibition, revues, Sheet music covers, singers, Sketchbooks, the Charleston (dance), tourism, Walt Disney
Celebrating the Legacy of Josephine Baker
• December 16, 2021 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, African American History, Civil Rights Movement, CLara Helena Palacio Luca, colonial propaganda, Cuba, dance, displays, donations, erotic art, France, Francis Xavier Luca, French consulate, gender, gifts, graphic arts, library donors, Mitchell Wolfson Jr., Occupied France, playbills, programs, promotional materials, racism, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, women, World War (1939-1945), World War II, WWII
Tags: Art Deco, Cabarets, celebrations, celebrities, civil rights, Consulate General of France in Miami, Copa City (nightclub : Miami Beach), cosmopolitanism, Croix de Guerre, dancers, Exposition Coloniale Internationale (Paris: 1931), Folies Bergere, French Pantheon, French Resistance, Havana (Cuba), Jazz Age, Jim Crow, Joséphine à Bobino 1975 (revue), Josephine Baker, Legion d'honneur, March on Washington (1963), modernism, naturalism, Paris (France), Paul Colin, performers, pochoirs, primitivism, Princess Tam-Tam (film : 1935), racism, segregation, singers, Siren of the Tropics (silent film : 1927), the Charleston (dance), Tropicana (Nightclub), Zouzou (film : 1934)
The Harlem Renaissance Comes to The Wolfsonian
• February 22, 2019 • Leave a CommentPosted in 1920s, 1930s, acquisitions, African American History, Artists, bindings, Civil Rights Movement, collectors, colonial propaganda, colonialism, dance, decorative arts, displays, donations, erotic art, ethnohistory, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, Great Britain, Great Depression, library donors, Mitchell Wolfson Jr., museums, New Deal era, pochoirs, portfolios, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library
Tags: Aaron Douglas, African American art, African American artists, African American performers, African American poets, Alain LeRoy Locke, America & Movies: The Black Image in Hollywood and History, Body and Soul (film: 1925), Charles Cullen, colonialism, Countee Cullen, Daniel Morris, Elanor Colburn, Folies Bergere, Harlem Renaissance, Harmon Foundation, Historical Design, James Weldon Johnson, Jazz Age, Josephine Baker, Langston Hughes, Le Tumulte Noir, Mabel Dwight, madonna, Miguel Covarrubias, modernism, mothers and children, NAACP, naturalism, Negro Uplift, Oscar Micheaux, Paul Colin, Paul Robeson, poetry, primitivism, the Charleston (dance), The Crisis, The Emperor Jones (film: 1933), The New Negro: An Interpretation, Winold Reiss, Zora Neale Hurston
Winter Visits and Gift Acknowledgements
• January 29, 2019 • Leave a CommentPosted in 1920s, acquisitions, African American History, American war propaganda, Art Basel, Art Deco, Artists, book art, cataloging, collectors, Cuba, dance, displays, donations, El Lissitzky, exhibitions, fashion for women, First World War (1914-1918), FIU, FIU community, Florida International University, Florida International University students, France, Francis Xavier Luca, Frederic A. Sharf, fur, gifts, graphic designers, History Department, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, Latin American and Caribbean Center, library donors, Lissitzky, memorabilia, Mitchell Wolfson Jr., museums, persuasive arts, photography, pochoirs, political art, portfolios, postcards, posters, preservation, prohibition, promotional materials, propaganda, propaganda arts, propaganda posters, rare books and special collections library, school visits to The Wolfsonian, The Wolfsonian-FIU library, veterans, Vintage postcards, VIP vistors, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, World War (1914-1918), World War I, WWI
Tags: "Mr. Babalú", 1920s, African American performers, Alain Locke, Alexander Archipenko, American Seduction, Art Deco design, Art Deco Weekend (2019), Barron Collier, bowling, Brooklyn Museum, Charles Gilpin, Clara Helena Palacio Luca, cocktail shakers, cocktail stirrers, Conrado Walter Massaguer, Cuba, dance in art, Daniel Morris, devils, dry laws, Eduardo García Benito, fashion, fur, fur garments, Harlem Renaissance, Historical Design, Into the Stacks, Jazz, Jean S. Sharf, Josephine Baker, Leonard Finger, Lisa Green, Louis Miano, Miami Dade public schools, Miguelito Valdés, Modern art, MoMA (Museum of Modern Art), Nathaniel Sandler, National Endowment for the Humanities Dialogue on the Experience of War, New Negro, Paris (France), Paul Colins, Paul Poiret, Paul Robeson, pillowcases, pochoir prints, Preservation boxes, Prohibition (1919-1933), Promising Paradise: Cuban Allure--American Seduction (Wolfsonian exhibition), race, recruiting posters, Satan, shotglasses, stencilwork, The Emperor Jones, Tropicana (Nightclub), U.S.-Cuba tourism, veterans, Vicki Gold Levi, vintage postcards, War and Healing program, Wit as Weapon: Satire and the Great War (Wolfsonian library installation), Zines
In Praise of Folies: A Wolfsonian Homage to the Folies Bergère
• November 30, 2016 • Leave a CommentPosted in 1920s, Cuba, dance, erotic art, library donors, Mitchell Wolfson Jr., playbills, rare books and special collections library, The Wolfsonian-FIU library, theatre, theatrical producers, Vicki Gold Levi, Wolfsonian library, Wolfsonian library collection, Wolfsonian-FIU library
Tags: "Place aux Jeunes", burlesque, dance halls, Edouard Manet, Folies Bergere, Havana (Cuba), Henri de Touluse-Lautrec, Josephine Baker, light opera, musical revues, nude revues, pantomime, Paris (France), Pre-Castro Cuba, striptease, theatrical venues, Vaudeville
From the United States, to the Philippines, to Tokyo, to Cuba: BAA & NEH Scholars Visit The Wolfsonian–FIU
• June 18, 2016 • 1 CommentPosted in 1920s, 1930s, African American History, Alabama, American left artists, architecture, Artists, colonial propaganda, colonialism, Communist Party of the United States, Communist Party of the United States of America, Communists, curator, displays, exhibitions, Far East, FIU, FIU community, Florida International University, Francis Xavier Luca, Frederic A. Sharf, graphic arts, Japan, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, leftist artists, library donors, museums, Philippine American War, Philippine-American War (1899-1902), Philippines, Photograph albums, racism, rare books and special collections library, Rochelle T. Pienn, War Photography, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library
Tags: African-Americans, Al Jolson, Anti-communism, Art Deco, Bavarian American Academy, Bayerische Amerika-Akademie, block print books, death penalty, Dr. Amy Bliss Marshall, Dr. Hitomi Yoshio, Dr. Steven Heine, electric chair, Felix Lewis, Francis Xavier Luca, Hap Hadley, Japan, Josephine Baker, Koizumi Kishio (1893-1945), Lidu Yi, lino-cut books, Mac Harshberger (1900-1975), National Endowment for the Humanities (NEH), Nicolae Harsanyi, Philippines, Promising Paradise: Cuban Allure--American Seduction (exhibition), Quit Cryin' the Blues, racism, Remembering Tokyo (exhibit), Rochelle Pienn, Scottsboro Boys, Scottsboro Trial (Alabama), stereotypes, summer institutes, summer programs, Tokyo: High City and Low City, United States
Wolfsonian-FIU Library 