Archive for the 'African American History' Category
Varied Views for a Variety of Visitors
• December 15, 2023 • Leave a CommentPosted in 1920s, acquisitions, African American History, Art Basel, Artists, bindings, book art, children's books, Cuba, curator, dance, Disney, displays, Dr. Nicolae Harsanyi, exhibitions, Francis Xavier Luca, French consulate, gifts, graphic designers, library donors, Michelle Oka Doner, Mitchell Wolfson Jr., museums, Orientalism, prohibition, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff, World's fairs
Tags: 1939-1940 New York World's Fair, 1964-1965 New York World's Fair, A. Assus, Aaron Douglas (1899-1979), Al Hirschfeld, Alex Rigorard, All the World's a Stage: The Sketchbooks and Theatrical Designs of Albert Wainwright (Wolfsonian Library installation), André Suréda, Art Basel, Atomium, celebrities, Charles Laborde (1886-1941), collecting cards, Colonies, Cuba, dancers, Daniel Morris, Donald Deskey, ephemera, Expo '58 (Brussels), Exposition coloniale internationale, FIU, FIU Professor Maria Antonieta Garcia, Folies Bergere, France, France's overseas empire, Francis Xavier Luca, French Guiana, French Orientalists, Futurama, Guyane francaise, Harlem Renaissance, Josephine Baker, La Reunion, La Tunisie, LACMA, Louis Antoni, Marco Brambilla, Maurice Bouviolle, movies stars, Museo de Arte Contemporaneo de Monterrey (Mexico), paper toys, Paul Colin (1892-1985), pop-up books, Progressland, Prohibition, revues, Sheet music covers, singers, Sketchbooks, the Charleston (dance), tourism, Walt Disney
A March and a Dream Deferred
• January 17, 2022 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, African American History, American left artists, book art, Christopher DeNoon, Civil Rights Movement, donations, FDR, Francis Xavier Luca, library donors, Lynd Ward (1905-1985), Mitchell Wolfson Jr., New Deal era, political art, racism
Tags: 1960s, Asa Philip Randolph (1869-1979), Brotherhood of Sleeping Car Porters union, Civil Rights Act (1964), defense industries, Dr. Martin Luther King Jr., Equal Employment Opportunity Commission, Executive Order 8802, Fair Employment Practices Committee (FEPC), Francis Xavier Luca, Lynd Kendall Ward (1905-1985), March on Washington for Jobs and Freedom (1963), National Voting Rights Act (1965), North Star Shining (book), President Franklin Delano Roosevelt (1882-1945), President Harry Truman, Segregation in the military, Socialists, The Christopher DeNoon Collection for the Study of New Deal Culture, The Messenger (magazine), union organizers
Celebrating the Legacy of Josephine Baker
• December 16, 2021 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, African American History, Civil Rights Movement, CLara Helena Palacio Luca, colonial propaganda, Cuba, dance, displays, donations, erotic art, France, Francis Xavier Luca, French consulate, gender, gifts, graphic arts, library donors, Mitchell Wolfson Jr., Occupied France, playbills, programs, promotional materials, racism, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, women, World War (1939-1945), World War II, WWII
Tags: Art Deco, Cabarets, celebrations, celebrities, civil rights, Consulate General of France in Miami, Copa City (nightclub : Miami Beach), cosmopolitanism, Croix de Guerre, dancers, Exposition Coloniale Internationale (Paris: 1931), Folies Bergere, French Pantheon, French Resistance, Havana (Cuba), Jazz Age, Jim Crow, Joséphine à Bobino 1975 (revue), Josephine Baker, Legion d'honneur, March on Washington (1963), modernism, naturalism, Paris (France), Paul Colin, performers, pochoirs, primitivism, Princess Tam-Tam (film : 1935), racism, segregation, singers, Siren of the Tropics (silent film : 1927), the Charleston (dance), Tropicana (Nightclub), Zouzou (film : 1934)
Love to Hear Percussion
• May 8, 2020 • Leave a CommentPosted in 1940s, 1950s, African American History, Cuba, dance, Francis Xavier Luca, gifts, library donors, Mitchell Wolfson Jr., museums, postcards, rare books and special collections library, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff
Tags: Africa, African drumming, Afro-Cuban jazz, Alexandra O'Neale, Bo Didley, bongos, Buddy Rich, Chano Pozo, Charlie Parker, clave, covid 19, Cuba, Dizzy Gillespie, drumming, drums, Entertainment, Haiti, Haitian Revolt, Havana (Cuba), isolation, Jazz, Jelly Roll Morton, Louisiana, Machito, mambo, Mario Bauza, New Orleans (Louisiana), New York City, Palladium, percussion, record jackets, Saint-Domingue, slave trade, slavery, social distancing, Sound recordings, sugar cane plantations, The Beatles, trumpet players
The Harlem Renaissance Comes to The Wolfsonian
• February 22, 2019 • Leave a CommentPosted in 1920s, 1930s, acquisitions, African American History, Artists, bindings, Civil Rights Movement, collectors, colonial propaganda, colonialism, dance, decorative arts, displays, donations, erotic art, ethnohistory, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, Great Britain, Great Depression, library donors, Mitchell Wolfson Jr., museums, New Deal era, pochoirs, portfolios, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library
Tags: Aaron Douglas, African American art, African American artists, African American performers, African American poets, Alain LeRoy Locke, America & Movies: The Black Image in Hollywood and History, Body and Soul (film: 1925), Charles Cullen, colonialism, Countee Cullen, Daniel Morris, Elanor Colburn, Folies Bergere, Harlem Renaissance, Harmon Foundation, Historical Design, James Weldon Johnson, Jazz Age, Josephine Baker, Langston Hughes, Le Tumulte Noir, Mabel Dwight, madonna, Miguel Covarrubias, modernism, mothers and children, NAACP, naturalism, Negro Uplift, Oscar Micheaux, Paul Colin, Paul Robeson, poetry, primitivism, the Charleston (dance), The Crisis, The Emperor Jones (film: 1933), The New Negro: An Interpretation, Winold Reiss, Zora Neale Hurston
Winter Visits and Gift Acknowledgements
• January 29, 2019 • Leave a CommentPosted in 1920s, acquisitions, African American History, American war propaganda, Art Basel, Art Deco, Artists, book art, cataloging, collectors, Cuba, dance, displays, donations, El Lissitzky, exhibitions, fashion for women, First World War (1914-1918), FIU, FIU community, Florida International University, Florida International University students, France, Francis Xavier Luca, Frederic A. Sharf, fur, gifts, graphic designers, History Department, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, Latin American and Caribbean Center, library donors, Lissitzky, memorabilia, Mitchell Wolfson Jr., museums, persuasive arts, photography, pochoirs, political art, portfolios, postcards, posters, preservation, prohibition, promotional materials, propaganda, propaganda arts, propaganda posters, rare books and special collections library, school visits to The Wolfsonian, The Wolfsonian-FIU library, veterans, Vintage postcards, VIP vistors, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, World War (1914-1918), World War I, WWI
Tags: "Mr. Babalú", 1920s, African American performers, Alain Locke, Alexander Archipenko, American Seduction, Art Deco design, Art Deco Weekend (2019), Barron Collier, bowling, Brooklyn Museum, Charles Gilpin, Clara Helena Palacio Luca, cocktail shakers, cocktail stirrers, Conrado Walter Massaguer, Cuba, dance in art, Daniel Morris, devils, dry laws, Eduardo García Benito, fashion, fur, fur garments, Harlem Renaissance, Historical Design, Into the Stacks, Jazz, Jean S. Sharf, Josephine Baker, Leonard Finger, Lisa Green, Louis Miano, Miami Dade public schools, Miguelito Valdés, Modern art, MoMA (Museum of Modern Art), Nathaniel Sandler, National Endowment for the Humanities Dialogue on the Experience of War, New Negro, Paris (France), Paul Colins, Paul Poiret, Paul Robeson, pillowcases, pochoir prints, Preservation boxes, Prohibition (1919-1933), Promising Paradise: Cuban Allure--American Seduction (Wolfsonian exhibition), race, recruiting posters, Satan, shotglasses, stencilwork, The Emperor Jones, Tropicana (Nightclub), U.S.-Cuba tourism, veterans, Vicki Gold Levi, vintage postcards, War and Healing program, Wit as Weapon: Satire and the Great War (Wolfsonian library installation), Zines
Celebrating Black History Month
• February 28, 2018 • Leave a CommentPosted in 1930s, acquisitions, African American History, American left artists, Anti-Nazi propaganda, Artists, bindings, book art, children's books, Civil Rights Movement, Communism, donations, Francis Xavier Luca, gifts, graphic arts, Lynd Ward (1905-1985), museums, New Deal era, political art, Popular Front, racism, rare books and special collections library, The Wolfsonian-FIU library, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, World War (1939-1945), World War II, WWII
Tags: African American history, African-American heroes, African-American role models, African-Americans, American League Against War and Fascism, August Mecklem Estate, Black History Month, calendars, Clara Helena Palacio Luca, Crypt Cracking, family life, Frederic Douglass, God's Man: A Novel In Woodcuts, graphic novels, Harlem, Harriet Tubman, heroes, Into the Stacks, Joe Louis, Knight Foundation, Lynd Kendall Ward (1905-1985), May McNeer, Nathaniel Sandler, North Star Shining / by Hildegarde Hoyt Swift, Novels, Patricia Frisella, poetry, protest poetry, race, racism, segregation, Socialism, Socialists, sociology, The Darker Brother / by Bucklin Moon, The Great Migration, The Negro Family / by E. Franklin Frazier, The Third Generation / by Chester B. Himes, Upsurge / by Robert Gessner, Wood and linoleum block printing, wood block prints, wood engraving
From Magazines to Zines
• February 7, 2018 • Leave a CommentPosted in 1930s, Adolf Hitler caricatures, African American History, Bernarr Macfadden, bindings, book art, CCC, children's books, circuses, Civilian Conservation Corps, CLara Helena Palacio Luca, displays, donations, fashion, fashion for women, FDR, Francis Xavier Luca, Frank Lloyd Wright, fur, gender, gifts, library donors, Mitchell Wolfson Jr., New Deal (1933-1939), New Deal era, Pamela K. Harer, Physical culture, postcards, programs, racism, rare books and special collections library, Robert J. Young, school visits to The Wolfsonian, Scottsboro Trial, The Wolfsonian-FIU library, typography, Wiener Werkstatte, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, youth movements, Zines
Tags: A-D (magazine), AIZ (magazine), Amazing Stories (pulp magazine), animal exploitation, Anti-Asian prejudice, beauty culture, Black Lives Matter movement, Black Venus, body image, bolt bindings, book bindings, Braddock, branding, carbon paper, cartoons, CCC camp zines, CCC camps, Circuses, Civilian Conservation Corps (CCC), Clara Helena Palacio Luca, David Almeida, Dust Bowl, Elizabeth Zoe Welch, Environmental movement, Ethiopia, Expo '74 (Spokane), fanzines, foils, Fortunato Depero (1892-1960), Fourth of July, Francis Xavier Luca, Frank Buck, fur, gay/lesbian literature, Gender roles, Gina Wouters, Hialeah Gardens, iPrep, Italian futurists, jokes, José Martí MAST, KKK, Ku Klux Klan, La Revue Ford (magazine), Law Enforcement Senior High, LGBTQ, Louis C. Tiffany & Co., Magazines, Miami Beach High, Miami Norland, Miami-Dade County schoolteachers, mimeograph machines, news, objectification of women, Patriotism, Periodicals, photocopiers, Photomontage, Physical Culture (magazine), plastic bindings, poetry, prejudice, pulp magazines, pulp paperbacks, Ring (magazine), science fiction, sexual orientation, Sheet music covers, South Miami, Southwest Miami, stereotypes, tailored suits, Terra, textiles, the "Me Too" movement, the Blues, The Christopher DeNoon Collection for the Study of New Deal Culture, transparencies, Uncle Sam, Vanity Fair (magazine), Vicki Gold Levi Collection, Wells Fargo, Wendingen (magazine), womanizing, Zines
Civil Rights and the CPUSA
• January 15, 2018 • Leave a CommentPosted in 1930s, African American History, American left artists, book art, Civil Rights Movement, CLara Helena Palacio Luca, Communism, Communist Party of the United States, Communist Party of the United States of America, Communists, donations, FDR, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gifts, graphic designers, Great Depression, History Department, Hugo Gellert, Hugo Gellert (1892-1985), International Labor Defense (ILD), leftist artists, library donors, Lynd Ward (1905-1985), Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, programs, racism, rare books and special collections library, Scottsboro Trial, The Wolfsonian-FIU library, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, World War (1939-1945), World War II
Tags: Agricultural Adjustment Administration (AAA), Angelo Herndon, Atlanta (Georgia), Benjamin Jefferson Davis Jr., Black "Reds", Black Communist, Booker T. Washington, Chain gangs, civil rights activists, Communist Party candidates, Communist Party of the United States of America (CPUSA), Dixiecrats, Dr. Martin Luther King Jr., Eleanor Roosevelt, Federal Anti-Lynching bill, Federal Bureau of Investigation (FBI), First Ladies, foreclosures, Georgia Insurrection Law, hobos, Hunter Pitts ("Jack") O'Dell, James W. Ford, Ku Klux Klan, Langston Hughes, legal cases, lynchings, mass demonstrations, Nathaniel Candelario, National Association for the Advancement of Colored People (NAACP), Paul Robeson, President Franklin Delano Roosevelt (1882-1945), President John F. Kennedy, Rape trials, Richard Wright, Scottsboro Boys, Scottsboro Trial (Alabama), Sharecroppers, Socialists, South Side Community Art Center (Chicago), Stanley Levison, Tenant farmers, The Daily Worker (periodical), The Negro Liberator (newspaper), Tom Mooney, Tuskegee airmen, Unemployment Council, vagrancy
Recent Florida International University Class Visits to The Wolfsonian Library
• February 10, 2017 • 1 CommentPosted in 1920s, 1930s, African American History, American left artists, American war propaganda, Artists, book art, Communism, Communist Party of the United States, Communist Party of the United States of America, Communists, displays, donations, Fascism, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gender, gifts, graphic arts, graphic designers, History Department, Hugo Gellert (1892-1985), International Labor Defense (ILD), leftist artists, Leonard A. Lauder, library donors, Lin Shi Khan, Lynd Ward (1905-1985), memorabilia, museums, Nazi propaganda, New Deal, New Deal (1933-1939), New Deal era, persuasive arts, political art, Popular Front, posters, prohibition, propaganda, propaganda arts, propaganda posters, racism, school visits to The Wolfsonian, Scottsboro Trial, Soviet Union, The Wolfsonian-FIU library, trains, war propaganda, Wolfsonian, Wolfsonian museum library, Wolfsonian-FIU library, women, World War II
Tags: 1930s, Adolf Hitler, African-Americans, anti-lynching campaigns, Autobahn, Blues, Communist Party of the United States (CPUSA) International Labor Defense (ILD), Great Depression, Harlem Renaissance, highways, infrastructure construction, Jazz, lynchings, memory, New Deal, New Negro, race, Race trials, racism, railways, roads, Scottsboro Trial (Alabama), stereotypes, U.S. One
Wolfsonian-FIU Library 