Spotlight on Machito and the Titos–The Three Kings of Mambo By Far
• January 6, 2023 • Leave a CommentPosted in 1940s, 1950s, acquisitions, collectors, Cuba, curators, donations, exhibitions, Francis Xavier Luca, gifts, graphic arts, interns, library donors, museums, Puerto Rico, The Wolfsonian Library
Tags: "King of the Mambo", Afro-Cuban dance culture, Afro-Cuban jazz, album cover art, album covers, arrangers, Arsenio Rodríguez, Big 3 Palladium Orchestra, Birdland (Nightclub), Cab Calloway, Celia Cruz, cha cha cha, Chano Pozo, Charlie Parker, Club Cuba, Club Cuba (Nightclub), composers, concerts, Cuban bandleaders, Cuban bebop, Cubans, Cubop City (Nightclub), Dizzy Gillespie, drummers, ephemera, Fania All-Stars, Francis Xavier Luca, Frank Grillo, Harlem Renaissance, Israel ("Cachao") López Valdés (1918–2008), Jazz, jazz musicians, La Lupe, Machito, Machito and His Afro-Cubans, mambo, mambo madness, Mario Bauzá, Miguelito Valdés, New York City, Nuyoricans, Orchestra Siboney, Palladium (Dance hall), percussionists, Perez Prado, Puerto Rican bandleaders, Puerto Ricans, RCA Victor, Sheet music covers, Stan Kenton, the "Borscht Belt", the Catskills, The Peanut Vendor (song), The Three Kings, Three Kings Day, Tico Records, timbaleros, Tito Puente, Tito Rodriguez, Turn the Beat Around (Wolfsonian exhibition : Oct. 2022-April 2023), United Artists Records, Vicki Gold Levi, Victoria Calveira
Turning the Beat Around: Spotlight on Chano Pozo
• November 9, 2022 • 1 CommentPosted in 1940s, 1950s, collectors, Cuba, dance, donations, exhibitions, Florida International University, Francis Xavier Luca, gifts, graphic arts, interns, library donors, museums, photography, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff
Tags: "Bang Que Choque" (song), "Blen Blen Blen" (song), "Manteca" (song), "Nague" (song), "Sono el Clarin" (song), Abakuá, Afro-Cuban dance culture, Afro-Cuban jazz, Afro-Cuban music, afrocubanismo, album covers, Amado Trinidad Velazco, Anselmo Sacasas (Cuban pianist and arranger), Arsenio Rodríguez, “Ariñáñara" (song), “Conga de Los Dandys" (song), “Parampampin" (song), Bal Nègre (dance revue), Carnegie Hall, carnival parades, Carteles (magazine), Chano Pozo, Chano Pozo y su Orquesta, Chico y Rita (animated film : 2010), Coda Records, Colon Cemetery (Havana), comparsas, conga, conga drummers, conga drums, Conjunto Azul, Cuba, Cuban bebop, Cuban composers, Cuban musicians, Cuban singers, Cubop, descargas (jam sessions), Dizzy Gillespie, drummers, El Ataúd, El África, Entertainers, Ernesto Roca, ethnomusicology, exhibitions, Félix Chappottin Lage, Francis Xavier Luca, Harlem, Hotel Nacional Orquesta, Hotel Presidente (Havana), installations, Jack Harris' La Conga (nightclub), Jazz, Joe Loco Quintet, Jovenes del Cayo septet, jukeboxes, Leonardo Timor, Leonardo Timor (band leader), Los Dandy de Belén (comparsa), Los Melodicos (band), Luciano (“Chano”) Pozo González, Machito, Machito and His Afro-Cubans, Mario Bauza, Miguelito Valdés, musicians, Musicraft (record company), New York City, orisha, Orquesta Casino de la Playa, Pan-Art (record label), percussionists, photographs, religious Afro-Cuban music, RHC Cadena Azul radio, Roxy Theatre, royalty disputes, rumba, rumba dancers, rumbero, Santería, Santo Ramírez (Cuban percussionist), secular Afro-Cuban music, segregation, singers, slums, solares, tenements, Tito Rodríguez, Tropicana (Nightclub), Turn the Beat Around (Wolfsonian exhibition : Oct. 2022-April 2023), Vicki Gold Levi, Victor (record company), vocalists, Xavier Cugat (1900-1990), Yoruba religion
Turning the Beat Around: Spotlight on Merceditas Valdés
• September 28, 2022 • Leave a CommentPosted in 1940s, 1950s, collectors, Cuba, dance, donations, exhibitions, Florida International University, Francis Xavier Luca, gifts, graphic arts, interns, library donors, museums, photography, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff
Tags: "La Pequeña Aché de Cuba", Adolfo Guzmán, Afro-Cuban dance culture, Afro-Cuban jazz, Afro-Cuban music, afrocubanismo, Alberto Zayas, album covers, Ángel Valdés, Babalú Ayé, Cándido Camero, Chano Pozo, Cine de rumberas, CMQ radio, CMQ television, conga drums, Coro Yoruba y Tambores Batá, Cuba, Cuban musicians, Cuban revolution 1959, Cuban singers, descargas (jam sessions), Dr. Fernando Ortiz, Entertainers, ethnomusicology, exhibitions, Francis Xavier Luca, Gilberto Valdés, Grupo Coral Folklórico de Cuba, Guillermo Barreto, Hermanas Oblatas de la Providencia, Ignacio Piñeiro, installations, Isúpo Irágüo (musical group), Israel ("Cachao") López Valdés (1918–2008), Jesús Pérez, Joe Loco Quintet, Los Bucaneros, Los Roncos (rumba ensemble), Machito, mambo, Mambo Rumba Festival (Carnegie Hall : February 20 1954), Margarita Lecuona, Mario Bauza, Mercedes Valdés, Merceditas Valdés, Miguelito Valdés, Mongo Santamaría, musicians, Myrta Silva, Ninón Sevilla, Obdulio Morales, Olga Guillot, orisha, Panart (record label), Phillips-Fort Dance Troupe, photographs, Pupi Campo Orchestra, Rafael Somavilla, religious Afro-Cuban music, Santería, secular Afro-Cuban music, singers, timbalero, Tito Puente, Tropicana (Nightclub), Turn the Beat Around (Wolfsonian exhibition : Oct. 2022-April 2023), Universidad de Habana, vocalists, Yambaó (Cry of the Bewitched), Yoruba religion, Zun Zun Danbaé show at the Cabaret Sans Souci
Turning the Beat Around: Spotlight on Miguelito Valdés
• September 22, 2022 • Leave a CommentPosted in 1940s, 1950s, collectors, Cuba, dance, donations, exhibitions, Florida International University, Francis Xavier Luca, gifts, graphic arts, interns, library donors, museums, photography, posters, rare books and special collections library, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff
Tags: Afro-Cuban music, album covers, Babalú-Ayé, bolero, Chano Pozo, conga drums, Cuba, Cuban musicians, Cuban singers, Entertainers, Francis Xavier Luca, guaracha, Hotel Tequendama (Bogotá), La Conga (nightclubs), La Siboney (nightclub), Leonard Finger, Los Hermanos Castro, Machito, Machito and His Afro-Cubans, Margarita Lecuona, Mario Bauzá, Miguelito Valdés, musicians, Orchesta Casino de la Playa, orisha, Pan-Americana (film : 1945), Panama, photographs, rumba, Señor Babalú, singers, son, Starlight Roof (Waldorf-Astoria, Vera Eskilssen Tejada, vocalists, Xavier Cugat (1900-1990), Yoruba religion, You Were Never Lovelier (film : 1942)
A Musical History of U.S.-Cuba Relations, 1898-1959
• February 18, 2022 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, Cuba, dance, displays, donations, Florida International University students, Francis Xavier Luca, Frederic A. Sharf, gifts, Great Depression, History Department, international expositions, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Maine (Battleship, Mitchell Wolfson Jr., Monroe County Public Library (Key West, museums, photography, postcards, posters, prohibition, promotional materials, rare books and special collections library, Spanish-American War, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian, Wolfsonian museum library, Wolfsonian staff, World's fairs
Tags: Abakuá, Afro-Cuban jazz, afrocubanismo, akpwón, Alberto Socarrás, alcohol, America and Movies: Cuba and the United States--1868-2022, American Warships, Another Thin Man (film: 1939), Anselmo Sacasas, Arthur Murray Dance Studios, Babalú Ayé, Basil Woon, Buena Vista Social Club, Carnival, Carole Lombard, Carteles (magazine), celebrities, Century of Progress Exhibition (1933-1934: Chicago), cha cha cha, Cha-Cha-Cha Boom! (film: 1956), Chano Pozo, Chico O'Farrill, CMQ radio, comparsa de congas, conga drums, conga lines, Cuban band leaders, Cuban Fire! (album : 1956), Cuban Independence Movement, Cuban National Tourist Commission, Cuban Republic, cultural appropriation, dance halls, dance music, Dance of Death, Desi Arnaz (1917-1986), Dizzy Gillespie, drinking, El Manisero (song), Estudios Afrocubanos (journal and society), ethnomusicology, Fernando Ortiz, Fidel Castro, Francis Xavier Luca, gambling, George Raft, Guys and Dolls (film : 1955), Havana (Cuba), Holiday in Havana (film : 1949), Hollywood films, I Love Lucy (television series), Jack Harris' La Conga (nightclub), Joseph K. Albertson Collection, Lobby cards, Machito, mambo, Mambo Italiano (song), Margot, Mario Bauza, Marlon Brando, Mary Hatcher, Miguelito Valdés, movie stars, mulatas, museum visits, musical collaboration, Nightclubs, Obdulio Morales, Palladium, Palo Monte, Pan-Americana (film : 1945), Papa Loves Mambo (song), percussion, percussionists, Perez Prado, Perry Como, publicity photographs, record jackets, Remember the Maine!, René and Estela, René Hernández, Ricky Ricardo, Rosemary Clooney, rumba, Rumba (film : 1935), Santería, Santiago de Cuba, Sheet music covers, singers, Sound recordings, Stan Kenton, The Peanut Vendor (song), Tito Puente, U.S. Prohibition, University of Havana, Week-End in Havana (film: 1941), When It's Cocktail Time in Cuba (travel guide :1928), Xavier Cugat (1900-1990), Yambaó (film : 1957)
Love to Hear Percussion
• May 8, 2020 • Leave a CommentPosted in 1940s, 1950s, African American History, Cuba, dance, Francis Xavier Luca, gifts, library donors, Mitchell Wolfson Jr., museums, postcards, rare books and special collections library, The Wolfsonian Library, Vicki Gold Levi, Wolfsonian staff
Tags: Africa, African drumming, Afro-Cuban jazz, Alexandra O'Neale, Bo Didley, bongos, Buddy Rich, Chano Pozo, Charlie Parker, clave, covid 19, Cuba, Dizzy Gillespie, drumming, drums, Entertainment, Haiti, Haitian Revolt, Havana (Cuba), isolation, Jazz, Jelly Roll Morton, Louisiana, Machito, mambo, Mario Bauza, New Orleans (Louisiana), New York City, Palladium, percussion, record jackets, Saint-Domingue, slave trade, slavery, social distancing, Sound recordings, sugar cane plantations, The Beatles, trumpet players
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