New Deal Ephemera
• October 5, 2017 • Leave a CommentPosted in 1930s, Alabama, American left artists, Blue eagle, CCC, Christopher DeNoon, Civil Rights Movement, Civilian Conservation Corps, Communism, Communist Party of the United States, Communist Party of the United States of America, Communists, displays, FIU, FIU community, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gifts, Great Depression, History Department, Hugo Gellert, Hugo Gellert (1892-1985), International Labor Defense (ILD), leftist artists, Leonard A. Lauder, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, NRA, NYA, persuasive arts, racism, rare books and special collections library, Rural Electrification Administration (REA), stickers, The Wolfsonian-FIU library, visual thinking strategies, VTS, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: 1936, Advertisements, aGatherin', Blue eagle (thunderbird) campaign, Broadsides, bulletins, calendars, campaign stickers, capitalism, Chain gangs, Christopher DeNoon, civil rights, Civilian Conservation Corps (CCC), Clara Helena Palacio Luca, Communists, Comrade Gulliver, Diane de Blois, Display cards, electric chairs, ephemera, Ephemera Society of America, fans, FDR, Federal Music Project (FMP), Franklin Delano Roosevelt (1882-1945), Gabriel Over the White House, Great Depression, Hurricane Irma, jobs, Junior Seminar, Kara Accettola, Leonard A. Lauder, Little Sages Books, lynchings, Lynton Gardiner, Martijn F. Lecoultre, Movie Makers (periodical), National Recovery Administration (NRA), National Youth Administration (NYA), Negro Songs of Protest (song book), New Deal, Pamphlets, pennants, Photomontage, portfolio plates, posters, Public Works Administration (PWA), racism, rare books, rare periodicals, Robert Dalton Harris, Rosie the Riveter, Rural Electrification Administration (REA), Scottsboro Boys, Scottsboro Trial (Alabama), Second World War, sharecropping, Sheet music covers, Socialists, song books, Sound recordings, Supreme Court rulings, Swastikas, Tamiami Trail, tanks (military science), The Christopher DeNoon Collection for the Study of New Deal Culture, voting patterns, Women war workers, work, Works Progress Administration (WPA)
OVERT / COVERT: MIAMI DADE COLLEGE STUDENTS USE WOLFSONIAN ART OBJECTS TO DECODE THE ICONOGRAPHY OF LABOR
• April 18, 2015 • 1 CommentPosted in 1930s, American left artists, Artists, Aryans, CCC, Communism, Communist Party of the United States of America, Communists, Constructivism, curators, FAP, Fascism, FDR, Federal One, Futurism, Great Depression, Hugo Gellert (1892-1985), interns, Italian design, Italy, leftist artists, Miami Dade College, Mitchell Wolfson Jr., museums, Nazi propaganda, New Deal, New Deal (1933-1939), New Deal era, NRA, photography, photomontage, political art, posters, propaganda, propaganda arts, propaganda posters, rare books and special collections library, Russia, skyscrapers, Soviet propaganda, Soviet Union, student curators, Student exhibit, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, WPA, youth movements
Tags: Adolf Hitler (1889-1945), Amanda E. Caceres, Benito Mussolini (1883-1945), Bill Iverson, Carolina Gutierrez, Cecilia Arellano, Charlie Chaplin, Civilian Conservation Corps (CCC), Diana E. Lopez, Fascist Italy, Federal Arts Project (FAP), Francis Xavier Luca, Franklin Delano Roosevelt (1882-1945), Freedom Tower, Giselle Gonzalez, Great Depression, Hugo Gellert (1892-1985), Italian Futurism, Jonathan Sanabria, Joseph Stalin (1879-1953), Juan D. Rojas, labor, Lea Nickless, Lewis Hine (1874-1940), Lynd Kendall Ward (1905-1985), Marta Palao, Miami Dade College, Mitchell Wolfson Jr., Mitchell Wolfson Jr. Study Centre, Modern Times (film), Museum of Art + Design, National Socialism, Nazi Germany, neo-classicism, New Deal, Overt/Covert (exhibition), Photomontage, propaganda, Russian Constructivism, Savannah Diaz, Soviet Union, student curators, Tennessee Valley Authority (TVA), work, working class, Yanelis Valdes
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