FROM WHIPLASH LINES THROUGH UTOPIA TO SKYSCRAPERS: BUILT AND UNBUILT LANDMARK ARCHITECTURAL DESIGNS IN THE WOLFSONIAN LIBRARY
• December 6, 2013 • 1 CommentPosted in American architects, architects, architecture, Art Nouveau (architecture), British architects, Frank Lloyd Wright, Hector Guimard (1867-1942), museums, rare books and special collections library, The Wolfsonian-FIU library, Unrealized architecture, Unrealized architecture exhibit, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library
Tags: Adolf Loos, Adolf Meyer, Antoni Gaudí, Architect designed furniture, architectural competitions, architectural portfolios, Art Nouveau architecture, Bellahouston Park, Bruno Busch, Bruno Taut, Charles Rennie Mackintosh, Chicago Tribune, David Almeida, Digital Resources Photographer, Eliel Saarinen, Emile Zola, English Arts and Crafts movement, Ernst Wasmuth Verlag, Frank Lloyd Wright, Glasgow, Hans Hahn, Haus eines Kunstfreundes, Hector Guimard, Heinrich Mossdorf, hydroelectric power, John Mead Howells, Le Castel Béranger, Leopold Bauer, Lexington Terraces, Mackay Hugh Baillie Scott, Margaret Macdonald, Marion Mahony Griffin, Native Americans in architecture, neo-Gothic architecture, Nicolae Harsanyi, Otto Wagner, Peter Behrens, Prairie School, Prima Esposizione Internazionale d'Arte Decorativa Moderna, Raimondo Tommaso D’Aronco, Raymond Hood, Rowan Moore, The Observer, Tony Garnier, Tribune Tower, unbuilt architectural designs, Une cité industrielle, utopian cities, Victor Horta, Victor Metzger house, vocational schools, Walter Gropius, Wasmuth Portfolio, Winslow Vila
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