CHARLIE, OR NOT CHARLIE: A WOLFSONIAN REFLECTION ON ATHEISM, RELIGIOUS SATIRE, AND TOLERANCE IN THE WAKE OF THE CHARLIE HEBDO MASSACRE
• January 17, 2015 • 3 CommentsPosted in acquisitions, anti-Semitism, antisemitism, Artists, Communism, Communists, conflict and resolution, donations, gender, gifts, graphic arts, graphic designers, Jews, leftist artists, library donors, Mitchell Wolfson Jr., persuasive arts, political art, propaganda, propaganda arts, racism, rare books and special collections library, Russia, Soviet propaganda, Soviet Union, Steve Heller, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, women
Tags: Adam and Eve, Aleksandr Aleksandrovich Deineka (1899-1969), anticlericalism, atheism, Atheist at the Lathe, babushkas, Bezbozhnik u stanka, blasphemy, Bombs, caricatures, cartoons, Cathedral of Christ the Savior (Moscow), Censorship, Charles de Gaulle (1890-1970), Charlie Brown, Charlie Hebdo, Christianity, controversy, demonstrations, Dmitrii Stakheivich Moor (1883-1946), editorial decisions, editors, Father Georgy Gapon (1870-1906), Fête de la Raison, feminism, foxes, François Cavanna, François Hollande, François-Marie Arouet (1694-1778), France, freedom from religion, freedom of religion, freedom of speech, French President Jacques Chirac, French Revolution, Genesis, Georges Bernier, God, Hara-Kiri (monthly magazine), hate speech, irreverence, Islam, Jesus Christ, Judaism, lampoons, M. Kostelovskaia, Mohammed, Muslim extremists, Nicolas Sarkozy, Peanuts, performance art, Prophet Mohammed, protests, provocation, Pussy Riot, religion, religious fundamentalism, religious tolerance, Republican values, Russia, Russian Orthodox priests, Satire, secular society, self-censorship, separation of church and state, Sharia law, Soviet Union, Stéphane Charbonnier, Terrorism, terrorists, the Age of Enlightenment, the Bible, turbans, veils, violence, Vladimir Putin, Voltaire
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