Italian Ethiopia at The Wolfsonian Library
• August 6, 2019 • 1 CommentPosted in 1930s, acquisitions, colonial propaganda, colonialism, donations, Ethiopia, Fascism, Francis Xavier Luca, Frederic A. Sharf, gender, gifts, Great Britain, Italy, library donors, Mitchell Wolfson Jr., ocean liners, passenger ships, Photograph albums, political art, portfolios, postcards, posters, propaganda, propaganda posters, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, war propaganda, Wolfsonian fellows, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: Abissinia, Addis Abeba (Ethiopia), Akbaba (magazine), anthropology, anti-imperialism, Antonio Arias Bernal (1914-1960), Ascari troops, atrocities, Aurelio Bertiglia, Autarky, Battle of Adwa, Benito Mussolini, Black Venus, British Somaliland, calendars, caricatures, collecting cards, Compagnia Italiana Liebig (Milano), Daniel Morris, East Africa, Enrico Cerulli, Eritrea, fans, fasces, gallows, General Baratieri, Haile Selassie, Harry Gannes, Historical Design, History Revealed, Il Travaso delle Idee, Italo-Ethiopian War (1895-1896), Italo-Ethiopian War (1935-1936), James De Lorenzi, James W. Ford, Jean S. and Frederic A. Sharf Collection, King Victor Emmanuel III of Italy, League of Nations, Maps, March on Rome (1922), Marshal Graziani, Menelik II, military conquest, Ministero Africa Italiana, National Fascist Party (PNF), Nero, North African migrants, Orientalism, Orientalists, poison gas, postcards, Red Cross, road-building, school notebooks, sexual conquest, Sheet music covers, slavery, Tanks, Vulcania (steamship)
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