VISUAL AND LITERARY ARTIFACTS FROM THE WOLFSONIAN LIBRARY’S GREAT DEPRESSION AND NEW DEAL COLLECTIONS
• September 10, 2014 • 1 CommentPosted in 1930s, AAA, American left artists, Artists, Blue eagle, book art, CCC, Christopher DeNoon, Civilian Conservation Corps, collectors, Communism, Communist Party of the United States, Communist Party of the United States of America, Communists, displays, donations, exhibitions, FAP, FDR, Federal One, Federal Theatre Project (U.S.), FIU students, Florida International University, Florida International University students, FTP, gifts, graphic arts, graphic designers, Great Depression, Hugo Gellert (1892-1985), leftist artists, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, NRA, persuasive arts, photography, political art, propaganda arts, rare books and special collections library, silk screen, The Wolfsonian-FIU library, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, WPA
Tags: "Every Man a King" (song), "forgotten man", Agricultural Adjustment Administration (AAA), Alfred Landon, Archibald MacLeish’s Land of the Free (1938), Breadlines, Civilian Conservation Corps (CCC), Clara Helena Palacio Luca, Communist Party of the United States (CPUSA), Comrade Gulliver: an illustrated account of travel into that strange country the United States of America (1935), Democrats, drought, Dust Bowl, Farm Security Administration (FSA), Federal Arts Project, Federal Theatre Project (FTP), Four Horsemen of the Apocalypse, Francis Xavier Luca, General Services Administration (GSA), Huey Long (1893-1935), Julie Redwine, Karl Marx Capital in Pictures (1933), Kathy Erickson, mural studies, My First Days in the White House / by Huey Long (1935), National Recovery Administration (NRA), National Retrogression Act (NRA), Old King Dole, Peter Clericuzio, political campaign literature, presidential contenders, Professor Carmela McIntire, Republicans, Resettlement Administration (RA), Share the Wealth, Sharecroppers, shovel-leaners, shovels, Tenant farmers, The Christopher DeNoon Collection for the Study of New Deal Culture, Work Projects Administration (WPA), Works Progress Administration (WPA)
THE SPANISH-AMERICAN WAR, WWI, AND LITERATURE OF THE GREAT DEPRESSION
• February 2, 2012 • 2 CommentsPosted in American left artists, American war propaganda, Christopher DeNoon, Communism, Communist Party of the United States, Communist Party of the United States of America, Communists, donations, FDR, Federal Writers' Project, FIU, FIU students, Florida International University, Florida International University students, Frederic A. Sharf, gender, gifts, History Department, Hugo Gellert (1892-1985), Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, John and Ideal Gladstone, leftist artists, library donors, Mitchell Wolfson Jr., New Deal, New Deal (1933-1939), New Deal era, Philippine American War, political art, postcards, posters, propaganda, propaganda arts, propaganda posters, rape imagery, school visits to The Wolfsonian, The Wolfsonian-FIU library, Vintage postcards, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, World War I, World War II, WWI, WWII
Tags: 1930s, Chain gangs, CLara Helena Palacio-de Luca, ephemera, Every Man A King, Francis Xavier Luca, Great Depression, Huey Pierce Long (1893-1935), labor movement, Labor unions, lynchings, My FIrst Days in the White House, Paul Muni (actor), playing cards, PWA (Public Works Administration), Rochelle Pienn, Share the Wealth, Sheet music covers, Spanish- American War of 1898, Spanish-American War, The Christopher DeNoon Collection for the Study of New Deal Culture, Vicki Gold Levi, Victory Gold Levi Collection, Yankee Doodle in Berlin
