Graphic Art Selling Revolution, Jewelry, and War
• June 27, 2018 • 1 CommentPosted in 1920s, 1930s, 1940s, Art Deco, bindings, collectors, Dr. Nicolae Harsanyi, Earthquakes, exhibitions, Francis Xavier Luca, Futurism, gifts, graphic arts, graphic designers, Japan, Jean S. and Frederic A. Sharf Collection, Mitchell Wolfson Jr., museums, posters, promotional materials, propaganda, propaganda arts, propaganda posters, rare books and special collections library, Russia, Russo-Japanese War, Soviet propaganda, Soviet Union, Steve Heller, The Wolfsonian-FIU library, Vicki Gold Levi, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: accordian-style bindings, Alphabet art, Also Sprach Zarathustra, Art Basel (Miami 2018), Art Deco, branding, Charlotte Camille, chromolithographs, Constructing Revolution (Wolfsonian exhibition), Constructivism, Dr. Nicolae Harsanyi, Eric Silverman, Filippo Tommaso Marinetti (1876-1944), font, Fortunato Depero (1892-1960), Friedrich Nietzsche, Geishas, Georges Lemmen (1865-1957), graphic art, Great Japan Earthquake of 1923, Greeting cards, H5 Group, Henry C. Van de Velde (1863-1957), Herbert Bayer (1900-1985), Home front, Italian Futurism, Italian futurists, Japanese art, jewelry, Kurt Hans Volk (1883-1962), Kyowa Kirin, Ladislav Sutnar (1897-1976), logos, Ludovic Houplain, Maxime Vandenabeele, Patriotism, pins, pochoir, propaganda fans, Rad Sutnar, Raoul Cenisi (1912-1991), Red and Black: Revolution in Soviet Propaganda Graphics (Wolfsonian Library installation), Richline Group, Russo-Japanese War (1904-1905), Second World War, Steve Heller, Svetlana Silverman, Tamao Watanabe, Tullio Crali (1910-2000), typography, Victory Gold Levi Collection
Wolfsonian-FIU Library 