Archive for the 'war propaganda' Category
Winter Visits and Gift Acknowledgements
• January 29, 2019 • Leave a CommentPosted in 1920s, acquisitions, African American History, American war propaganda, Art Basel, Art Deco, Artists, book art, cataloging, collectors, Cuba, dance, displays, donations, El Lissitzky, exhibitions, fashion for women, First World War (1914-1918), FIU, FIU community, Florida International University, Florida International University students, France, Francis Xavier Luca, Frederic A. Sharf, fur, gifts, graphic designers, History Department, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, Latin American and Caribbean Center, library donors, Lissitzky, memorabilia, Mitchell Wolfson Jr., museums, persuasive arts, photography, pochoirs, political art, portfolios, postcards, posters, preservation, prohibition, promotional materials, propaganda, propaganda arts, propaganda posters, rare books and special collections library, school visits to The Wolfsonian, The Wolfsonian-FIU library, veterans, Vintage postcards, VIP vistors, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, World War (1914-1918), World War I, WWI
Tags: "Mr. Babalú", 1920s, African American performers, Alain Locke, Alexander Archipenko, American Seduction, Art Deco design, Art Deco Weekend (2019), Barron Collier, bowling, Brooklyn Museum, Charles Gilpin, Clara Helena Palacio Luca, cocktail shakers, cocktail stirrers, Conrado Walter Massaguer, Cuba, dance in art, Daniel Morris, devils, dry laws, Eduardo García Benito, fashion, fur, fur garments, Harlem Renaissance, Historical Design, Into the Stacks, Jazz, Jean S. Sharf, Josephine Baker, Leonard Finger, Lisa Green, Louis Miano, Miami Dade public schools, Miguelito Valdés, Modern art, MoMA (Museum of Modern Art), Nathaniel Sandler, National Endowment for the Humanities Dialogue on the Experience of War, New Negro, Paris (France), Paul Colins, Paul Poiret, Paul Robeson, pillowcases, pochoir prints, Preservation boxes, Prohibition (1919-1933), Promising Paradise: Cuban Allure--American Seduction (Wolfsonian exhibition), race, recruiting posters, Satan, shotglasses, stencilwork, The Emperor Jones, Tropicana (Nightclub), U.S.-Cuba tourism, veterans, Vicki Gold Levi, vintage postcards, War and Healing program, Wit as Weapon: Satire and the Great War (Wolfsonian library installation), Zines
War and Remembrance
• October 30, 2018 • 2 CommentsPosted in 1920s, 1930s, American war propaganda, Austria, displays, donations, First World War (1914-1918), FIU, FIU community, Florida International University, Francis Xavier Luca, gifts, graphic arts, Great Britain, Great Depression, Harald Engman, Italy, library donors, Mitchell Wolfson Jr., museums, Nazism, postcards, posters, propaganda, propaganda posters, rare books and special collections library, The Wolfsonian-FIU library, War Photography, war propaganda, Wolfsonian, Wolfsonian Education Department, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian staff, Wolfsonian-FIU library, Wolfsonian-FIU library exhibitions, World War (1914-1918), World War I, WWI
Tags: A. G. Santagata, Anzac Memorial, Art Deco, bas relief, Bonus Expeditionary Force, C. R. W. Nevinson, Combat Hippies, Dialogues on the Experience of War, Egeo Venturi, FIU, Florida State University Institute for World War II and the Human Experience, George Grosz (1893-1959), Irving Marantz, Jean Carlu, Jessica L. Adler, Kathe Ko, Kathe Kollwitz, La Dette (the debt), lobbying, Miami Vet Center of the Department of Veterans Affairs (VA), murals, NAH, National Endowment for the Humanities, Otto Beyer, Paintings, Periodicals, portfolios, PTSD, recruiting posters, sculpture, Shell-shock, Soldiers, trenches, veterans, Vorticism, war, War and Healing, war artists, War memorials, war monuments, War photography, Wit as Weapon: Satire and the Great War (Wolfsonian library installation), World War I, Zoe Welch
Weaponized Wit: WWI Lampoons of Kaiser Wilhelm
• September 4, 2018 • 1 CommentPosted in 1915, American war propaganda, children's books, Children's propaganda books, displays, donations, exhibit cases, exhibitions, First World War (1914-1918), FIU students, Florida International University, Florida International University students, Francis Xavier Luca, gifts, History Department, library donors, Mitchell Wolfson Jr., museums, Pamela K. Harer, persuasive arts, political art, postcards, propaganda, propaganda arts, propaganda posters, rare books and special collections library, The Wolfsonian-FIU library, Vintage postcards, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, Wolfsonian-FIU library exhibitions, World War (1914-1918), World War I, WWI
Tags: art handlers, Ayme Cameron, caricatures, cartoons, Charlie Chaplin, Christopher Stotts, collecting cards, Drawings, games, helmets, Henry Hacker, Kaiser Wilhelm II, Kaiser Wilhelm II (Emperor of Germany), lanpoons, Louis Raemaekers (1869-1956), Moses, mustaches, Satire, Shoulder Arms (film : 1918), spiders, Stephanie Diaz, Steve Forero-Paz, student-curated exhibits, Wit As Weapon (Wolfsonian library installation), Yankee Doodle in Berlin (film : 1919)
Through a Glass Darkly: Colonial Views of Africa
• July 26, 2018 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, children's books, Children's propaganda books, colonial propaganda, colonial tourism, colonialism, cruise ships, displays, donations, Dr. Nicolae Harsanyi, Ethiopia, exhibitions, Fascism, Florida International University, Francis Xavier Luca, Frederic A. Sharf, Italy, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Mitchell Wolfson Jr., museums, Nazi propaganda, ocean liners, passenger ships, photography, postcards, rare books and special collections library, Steve Heller, The Wolfsonian-FIU library, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Zulus
Tags: 1910, 1935, 1937 Exposition Internationale des Arts et Techniques (Paris), Addis Abeba (Ethiopia), Adua (Ethiopia), Africa, Africans, Africans in art, Akbaba (Turkish periodical), Arthur Dupagne, Belgian Congo, Benito Mussolini, Benito Mussolini (1883-1945), Botswana, Brussels, Burkina Faso, calendars, Cameroon, Carl Weller, Children's propaganda books, collecting cards, Colonial expositions, Colonial tourism, colonialism, Colonies, Compagnie Belge Maritime du Congo, Congo, Cote d’Ivoire, Deutsche Afrika-Linien, Deutsche Ost-Afrika-Linie, diaries, displays, Dr. Francis Xavier Luca, Dr. Nicolae Harsanyi, Eritrea, Ethiopia, Exhibition buildings, games, Ghana, Guinea, Huts, Italian Empire, Italo-Ethiopian War (1895-1896), Italo-Ethiopian War (1935-1936), Jean S. and Frederic A. Sharf Collection, journals, Kraft durch Freude (Strength through Joy), La Barre à Mine (Mining Bar), Lamy, Laurence Miller, Liberia, Madagascar, Malawi, Mali, Mandela Washington fellows, menus, Namibia, Nazis, Niger, Nigeria, ocean liners, pavilions, photograph albums, photographs, postcards, propaganda, Rwanda, S.S. Leopoldville, Samoliland, Scrapbooks, sculpture, Sketchbooks, South Africa, Steve Heller, the Democratic Republic of the Congo, the United Republic of Tanzania, Union Castle Line, Woermann-Linie, Zambia, Zanxibar, Zulus
Graphic Art Selling Revolution, Jewelry, and War
• June 27, 2018 • 1 CommentPosted in 1920s, 1930s, 1940s, Art Deco, bindings, collectors, Dr. Nicolae Harsanyi, Earthquakes, exhibitions, Francis Xavier Luca, Futurism, gifts, graphic arts, graphic designers, Japan, Jean S. and Frederic A. Sharf Collection, Mitchell Wolfson Jr., museums, posters, promotional materials, propaganda, propaganda arts, propaganda posters, rare books and special collections library, Russia, Russo-Japanese War, Soviet propaganda, Soviet Union, Steve Heller, The Wolfsonian-FIU library, Vicki Gold Levi, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: accordian-style bindings, Alphabet art, Also Sprach Zarathustra, Art Basel (Miami 2018), Art Deco, branding, Charlotte Camille, chromolithographs, Constructing Revolution (Wolfsonian exhibition), Constructivism, Dr. Nicolae Harsanyi, Eric Silverman, Filippo Tommaso Marinetti (1876-1944), font, Fortunato Depero (1892-1960), Friedrich Nietzsche, Geishas, Georges Lemmen (1865-1957), graphic art, Great Japan Earthquake of 1923, Greeting cards, H5 Group, Henry C. Van de Velde (1863-1957), Herbert Bayer (1900-1985), Home front, Italian Futurism, Italian futurists, Japanese art, jewelry, Kurt Hans Volk (1883-1962), Kyowa Kirin, Ladislav Sutnar (1897-1976), logos, Ludovic Houplain, Maxime Vandenabeele, Patriotism, pins, pochoir, propaganda fans, Rad Sutnar, Raoul Cenisi (1912-1991), Red and Black: Revolution in Soviet Propaganda Graphics (Wolfsonian Library installation), Richline Group, Russo-Japanese War (1904-1905), Second World War, Steve Heller, Svetlana Silverman, Tamao Watanabe, Tullio Crali (1910-2000), typography, Victory Gold Levi Collection
Honoring Women and Heckling Hitler
• March 27, 2018 • Leave a CommentPosted in 1940s, Adolf Hitler caricatures, American left artists, American war propaganda, Anti-Nazi propaganda, Artists, children's books, Children's propaganda books, CLara Helena Palacio Luca, curator, Disney, displays, donations, Fascism, fashion for women, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, Frederic A. Sharf, gender, gifts, graphic arts, graphic designers, History Department, Hugo Gellert (1892-1985), Italy, Japan, Japanese Empire, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, Leonard A. Lauder, library donors, memorabilia, Mitchell Wolfson Jr., museums, Nazi propaganda, Nazism, Pacific campaign (WWII), Pamela K. Harer, persuasive arts, Philippines, postcards, posters, propaganda, propaganda arts, propaganda posters, Second World War (1939-1945), Spanish Civil War, The Wolfsonian-FIU library, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: Alexander Z. Kruse, archives, Aristotle Ares, Army Air Forces (U.S.), Aryans, Axis, B-26, boot straps, Broadsides, calendars, Charles L. McCartney Jr., Crypt Cracking, Dolores Trenner, Donna Victor, Envelopes, Espanolaphone, First aid, FIU Professor Terrance G. Peterson, Home front, Hotzi Notzi, Into the Stacks, jeeps, Jeffrey G. Fischer, joeys, Judith Berson-Levinson Collection, Kaiser Wilhelm II, kangaroos, Keep 'em Flying (magazine), Maps, March, Martijn F. Lecoultre, matchcovers, Max Halverson (1924-2006), Mel Victor WWII Pacific Theater Collection, Michael Smith, Nathaniel Sandler, Nurses, Pamela K. Harer, Pamphlets, pincushions, postcards, Republic of Salo, rolling pins, Roney Plaza Hotel (Miami Beach), Rosie the Riveter, Sand in their Boots (event), schoolgirls, sewing needles, Sheet music covers, Shoshana Resnikoff, skirts, Spanish Civl War (1936-1939), Thomas Barrett Archive, U.S. navy, Uniforms, USS Yorktown (aircraft carrier), Victory Gold Levi Collection, WAACS, WACS, wigs, Wolfsonian public programs, women in the Armed Services, Women's Army Auxiliary Corps, Women's History Month
Oui, Je Parle Français! FIU French Language Students Encounter Museum Founder Micky Wolfson
• November 22, 2017 • Leave a CommentPosted in 1920s, 1930s, architects, architecture, Art Nouveau (architecture), children's books, Children's propaganda books, collectors, colonial propaganda, colonialism, concentration camp, displays, ethnohistory, exhibit cases, exhibitions, Francis Xavier Luca, graphic designers, international expositions, Mitchell Wolfson Jr., Occupied France, Orientalism, postcards, propaganda, rare books and special collections library, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, Wolfsonian-FIU library exhibitions, World War (1939-1945), World War II, WWII
Tags: Abecediaries, Albert Laprade (1883-1978), Alfred Janniot, Alfred Janniot (1889-1969), alphabet books, Art Nouveau, Austria, bas relief, calendars, Colonial expositions, colonizers, Exposition Coloniale de Marseille (1922), Exposition Coloniale Internationale (Paris: 1931), Exposition Universelle (Paris: 1900), FIU Professor Maria Antonieta Garcia, French, French architects, French language students, Holocaust Memorial (Miami Beach), human zoos, Huts, Julius Klinger (1876-1942), Julius Klinger: Posters for a Modern Age (Wolfsonian exhibition), Léon Jaussely (1875-1932), Le Cercle Francais, Musée Permanent des Colonies, Palais de la Porte Doree, Paris, pavilions, Philippe Pétain (1856-1951), Selling the Golden Leaf (Wolfsonian library installation), sub-Saharan Africa, Tobacco, Vichy France, viewbooks
