Archive for the 'Ethiopia' Category
Italian Ethiopia at The Wolfsonian Library
• August 6, 2019 • 1 CommentPosted in 1930s, acquisitions, colonial propaganda, colonialism, donations, Ethiopia, Fascism, Francis Xavier Luca, Frederic A. Sharf, gender, gifts, Great Britain, Italy, library donors, Mitchell Wolfson Jr., ocean liners, passenger ships, Photograph albums, political art, portfolios, postcards, posters, propaganda, propaganda posters, rare books and special collections library, Second World War (1939-1945), The Wolfsonian Library, war propaganda, Wolfsonian fellows, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1939-1945), World War II, WWII
Tags: Abissinia, Addis Abeba (Ethiopia), Akbaba (magazine), anthropology, anti-imperialism, Antonio Arias Bernal (1914-1960), Ascari troops, atrocities, Aurelio Bertiglia, Autarky, Battle of Adwa, Benito Mussolini, Black Venus, British Somaliland, calendars, caricatures, collecting cards, Compagnia Italiana Liebig (Milano), Daniel Morris, East Africa, Enrico Cerulli, Eritrea, fans, fasces, gallows, General Baratieri, Haile Selassie, Harry Gannes, Historical Design, History Revealed, Il Travaso delle Idee, Italo-Ethiopian War (1895-1896), Italo-Ethiopian War (1935-1936), James De Lorenzi, James W. Ford, Jean S. and Frederic A. Sharf Collection, King Victor Emmanuel III of Italy, League of Nations, Maps, March on Rome (1922), Marshal Graziani, Menelik II, military conquest, Ministero Africa Italiana, National Fascist Party (PNF), Nero, North African migrants, Orientalism, Orientalists, poison gas, postcards, Red Cross, road-building, school notebooks, sexual conquest, Sheet music covers, slavery, Tanks, Vulcania (steamship)
Through a Glass Darkly: Colonial Views of Africa
• July 26, 2018 • Leave a CommentPosted in 1920s, 1930s, 1940s, 1950s, children's books, Children's propaganda books, colonial propaganda, colonial tourism, colonialism, cruise ships, displays, donations, Dr. Nicolae Harsanyi, Ethiopia, exhibitions, Fascism, Florida International University, Francis Xavier Luca, Frederic A. Sharf, Italy, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Mitchell Wolfson Jr., museums, Nazi propaganda, ocean liners, passenger ships, photography, postcards, rare books and special collections library, Steve Heller, The Wolfsonian-FIU library, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Zulus
Tags: 1910, 1935, 1937 Exposition Internationale des Arts et Techniques (Paris), Addis Abeba (Ethiopia), Adua (Ethiopia), Africa, Africans, Africans in art, Akbaba (Turkish periodical), Arthur Dupagne, Belgian Congo, Benito Mussolini, Benito Mussolini (1883-1945), Botswana, Brussels, Burkina Faso, calendars, Cameroon, Carl Weller, Children's propaganda books, collecting cards, Colonial expositions, Colonial tourism, colonialism, Colonies, Compagnie Belge Maritime du Congo, Congo, Cote d’Ivoire, Deutsche Afrika-Linien, Deutsche Ost-Afrika-Linie, diaries, displays, Dr. Francis Xavier Luca, Dr. Nicolae Harsanyi, Eritrea, Ethiopia, Exhibition buildings, games, Ghana, Guinea, Huts, Italian Empire, Italo-Ethiopian War (1895-1896), Italo-Ethiopian War (1935-1936), Jean S. and Frederic A. Sharf Collection, journals, Kraft durch Freude (Strength through Joy), La Barre à Mine (Mining Bar), Lamy, Laurence Miller, Liberia, Madagascar, Malawi, Mali, Mandela Washington fellows, menus, Namibia, Nazis, Niger, Nigeria, ocean liners, pavilions, photograph albums, photographs, postcards, propaganda, Rwanda, S.S. Leopoldville, Samoliland, Scrapbooks, sculpture, Sketchbooks, South Africa, Steve Heller, the Democratic Republic of the Congo, the United Republic of Tanzania, Union Castle Line, Woermann-Linie, Zambia, Zanxibar, Zulus
The Red Cross in Time of War
• August 22, 2017 • Leave a CommentPosted in American war propaganda, children's books, Children's propaganda books, CLara Helena Palacio Luca, donations, Ethiopia, First aid, First World War (1914-1918), Japanese Empire, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, memorabilia, Mitchell Wolfson Jr., postcards, posters, propaganda, propaganda arts, propaganda posters, Russo-Japanese War, South African War, Spanish Civil War, The Wolfsonian-FIU library, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library, women, World War (1914-1918), World War (1939-1945), World War I, World War II, WWI, WWII
Tags: 1864, Adolphus Solomons, ambulances, American Red Cross, atrocities, August 22, Broadsides, Clara Barton, Edith Cavell, emblems, ephemera, Frederic A. Sharf, Geneva convention, Hospitals, International Red Cross, Italo-Ethiopian War (1935-1936), Jean S. and Frederic A. Sharf Collection, Jean-Henri Dunant, Judith Berson-Levinson Collection, Ladysmith (South Africa), mechanical works, medical personnel, Mitchell Wolfson Jr., Nobel Peace Prize, Nurses, nurses and nursing, Pamela K. Harer, Periodicals, photograph albums, postcards, posters, Red Cross, Red Cross dogs, Red Cross nurses, Russo-Japanese War (1904-1905), Second Anglo-Boer War (1899-1902), Sheet music covers, South African War (1899-1902), Swiss flag, tents, Woodrow Wilson
Indigenous Peoples of the Wolfsonian, Unite and Take Notice
• October 28, 2016 • 1 CommentPosted in 1930s, acquisitions, architects, architecture, Art Deco, book art, British Army, collectors, colonial propaganda, colonial tourism, colonialism, cruise ships, Dennis Wiedman, displays, donations, Ethiopia, ethnohistorical methods, ethnohistory, exhibitions, Far East, FIU, FIU community, FIU students, Florida International University, Florida International University students, Francis Xavier Luca, Frost Museum, gender, George B. Post (firm), gifts, globalism, Historical Methods, History Department, India, Italy, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Midways, Mitchell Wolfson Jr., Modesto Maidique campus, museums, ocean liners, Orientalism, passenger ships, persuasive arts, Photograph albums, photography, political art, postcards, promotional materials, propaganda, rare books and special collections library, The Wolfsonian-FIU library, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU library
Tags: Africa, Colonial expositions, colonialism, Colonies, David Rifkind, East Africa, Empire, Ethiopia, ethnocentrism, France's overseas empire, French Indochina, games, human zoos, India, indigenous peoples, Indo-Chine, Italo-Ethiopian War (1935-1936), Native Americans, North Africa, Turkey
INDIGENOUS PEOPLES THROUGH WESTERN EYES: VISITS TO THE WOLFSONIAN LIBRARY BY SOME COLOMBIAN SCHOLARS AND A GROUP OF YOUNG AFRICAN LEADERS
• July 15, 2015 • 1 CommentPosted in Boers, colonial propaganda, colonialism, decorative arts, displays, donations, Ethiopia, ethnohistory, FIU, Folklorists, gifts, graphic arts, Italian design, Italy, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Mitchell Wolfson Jr., museums, New Deal, New Deal (1933-1939), New Deal era, ocean liners, persuasive arts, political art, propaganda, propaganda arts, rare books and special collections library, South African War, The Wolfsonian-FIU library, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, Zulus
Tags: Art Deco posters, Aurelio Bertiglia (1891-?), Avram Glazer, Benito Mussolini (1883-1945), Block books, Boer Wars, carpets, Escuela de Diseno Grafico, Ethiopia, Frederic A. Sharf, Frijoles Canyon Pictoraphs, Great Northern Railway, Gustave Baumann, Hoke Denetsosie, Indian art, Indian culture, Indian dancers, indigenous art, Jean S. and Frederic A. Sharf Collection, Jill Glazer, John Collier, Jose Jairo Vargas, Joseph Campbell (1904-1987), Luz Helena Ballestas Rincon, Maude Oakes, medicine man, Native American art, Native American culture, Navaho, Navaho rugs, Navaho War ceremonial, Navajo, Navajo Indian Reservation, New Deal, Pictographs, Plains Indians, President Franklin D. Roosevelt, primers, sand paintings, Santa Fe (New Mexico), School of Graphic Design at the National University of Colombia, South African Wars, Symbols, Turkish periodicals, Universidad Nacional de Colombia, Winold Reiss (1886-1953)
ART BASEL AND OCEAN LINER AFICIONADO TOURS OF THE WOLFSONIAN LIBRARY AND A GLIMPSE INTO THE FUTURE
• December 13, 2013 • 1 CommentPosted in book art, collectors, colonial propaganda, colonialism, Communism, Communists, Constructivism, cruise ships, displays, donations, Dr. Laurence Miller, Dutch Art Nouveau, Ethiopia, Far East, Fascism, Futurism, gifts, graphic arts, graphic designers, Great Britain, Hamburg-American Line, international expositions, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, John Heartfield (1891-1968), Laurence Miller Collection, leftist artists, library donors, Mitchell Wolfson, Mitchell Wolfson Jr., museums, Nazi propaganda, Nazism, Nieuwe Kunst, ocean liners, oceanliners, passenger ships, persuasive arts, Photograph albums, photography, pochoirs, political art, postcards, posters, promotional materials, propaganda, propaganda arts, propaganda posters, rare books and special collections library, Russia, The Wolfsonian-FIU library, totalitarian, VIP vistors, war propaganda, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, World War I, World's fairs, WWI
Tags: Anti-Communist Propaganda, anti-Fascist propaganda, anti-Nazi propaganda, Arbeiter-Illustrierte Zeitung (periodical), Art Basel, Art Nouveau, Asama Maru (steamship), Battleship Potemkin (film : 1925), Blaise Cendrars (1887-1961), calendars, Chatsworth House, Chemical warfare, Christopher Kyte, cruise line industry, Crystal Palace Exhibition (1851 : London), Cunard, Dan Lotten, designers, Duilio (steamship), Empire Welland (troopship), family photographs, Filippo Tommaso Marinetti (1876-1944), First World War, Fortunato Depero (1892-1960), Gas masks, George G. Sharp, German design reform, Giulio Cesare (steamship), graphic art, Grim Reaper, Hamburg-Amerika Linie, Hibiya Shrine (Japan), Hyde Park (London), Illumination, Italian Futurism, Japan, Jeff Maklin, Jim Lida, John Heartfield (1891-1968), La Prose du Transsibérien et de La Petite Jehanne de France, library visitors, Maritime artists, Museum buildings, Naval architects, Nieuwe Kunst, Normandie (Steamship), NYK Line, ocean liner aficionados, ocean liners, Odessa Steps, Owen Jones (1809-1874), Patria (3) (steamship), photograph albums, Photomontage, postage stamps, postcards, promised gifts, propaganda, Raoul Cenisi (1912-1991), robots, Rossia (steamship), Russian Constructivism, S.S. Nieuw Amsterdam (steamship), Saturnia, Saturnia (steamship), Sergei Eisenstein (1898-1948), Sharf Associate Librarian Rochelle Pienn, shoes, Sir Joseph Paxton (1803-1865), Skeletons, Sonia Delaunay (1885-1979), Stanley Haviland, Stephen Card, Theatre costume design, Theodoor Willem Nieuwenhuis (1866-1951), Thomas Cassidy, Tullio Crali (1910-2000), Victorian England, vultures, watercolors, Weddings, WWI
SCHOLARS MEET WITH WOLFSONIAN SUPPORTER TO DISCUSS ACADEMIC AND EXHIBITION PROJECTS TAPPING THE JEAN S. AND FREDERIC A. SHARF COLLECTION
• March 6, 2013 • 1 CommentPosted in automobile design, automotive design drawings, bindings, Boers, book art, British Army, collectors, colonial propaganda, colonial tourism, colonialism, curator, David Almeida, Digital Library Specialist, displays, donations, Dr. Nicolae Harsanyi, Ethiopia, exhibitions, Far East, fashion, fashion for women, FIU, Florida International University, Frederic A. Sharf, gifts, History Department, Japan, Japanese Empire, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, library donors, Manchuria, Medicine, Modesto Maidique campus, Museum of Fine Arts (Boston), museums, Orientalism, Photograph albums, photography, political art, propaganda, propaganda arts, rare books and special collections library, Russo-Japanese War, South African War, Spanish-American War, Styled for the Road (Exhibition), The Wolfsonian-FIU library, Theodore Pietsch, Theodore W. Pietsch, Utility scheme garments, VIP vistors, war propaganda, wartime Britain, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian staff, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library
Tags: 1938-1951 (exhibition); Beauty as Duty: Textiles and the Home Front in WWII Britain (exhibition), Abyssinia, Academic Programs Manager Peter Clericuzio, Assistant Professor of Chinese Art History Lidu Yi, Assistant Professor of History Elizabeth Heath, Boer War (1899-1902), Boxer Rebellion (1898-1901), Brigham and Women’s Hospital (Boston), British Empire, Curator Jon Mogul, Dr. Francis Xavier Luca, Dr. Nicolae Harsanyi, Ethiopia, Flagler Museum (Palm Beach), Frederic A. Sharf, Frost Museum (Florida International University), Frost Museum Teaching Gallery, Keep Calm and Carry On: World War II and the British Home Front, Library Assistant Michel Potop, Libya, Metropole/Colony: Africa and Italy (exhibit), Museum of Fine Art (Boston), Norton Museum of Art (West Palm Beach), Philip K. Hu, Professor David Rifkind, Russo-Japanese War (1904-1905), Sharf Associate Librarian Rochelle Pienn, Sino-Japanese War (1894-1895), St. Louis Art Museum, T. W. Pietsch
VISITORS TO THE WOLFSONIAN DURING ART BASEL
• December 14, 2012 • Leave a CommentPosted in acquisitions, Adolf Hitler caricatures, airplanes, American war propaganda, Anti-Nazi propaganda, Artists, automobile design, bindings, book art, cars, children's books, Children's propaganda books, collectors, colonial propaganda, colonial tourism, colonialism, Constructivism, cruise ships, Cuba, displays, donations, El Lissitzky, Ethiopia, exhibitions, Frederic A. Sharf, Futurism, gifts, graphic arts, Jean S. and Frederic A. Sharf, Jean S. and Frederic A. Sharf Collection, Leonard A. Lauder, library donors, Lissitzky, Mitchell Wolfson Jr., museums, ocean liners, oceanliners, passenger ships, Photograph albums, photography, political art, portfolios, postcards, promotional materials, propaganda, propaganda arts, rare books and special collections library, Steve Heller, streamlined cars, The Wolfsonian-FIU library, Theodore Pietsch, Theodore W. Pietsch, trains, war propaganda, Wiener Werkstatte, Wolfsonian, Wolfsonian library, Wolfsonian library collection, Wolfsonian library exhibits, Wolfsonian museum library, Wolfsonian-FIU exhibitions, Wolfsonian-FIU library, world cruises, World War I, World War II, WWI, WWII
Tags: 20th Century Limited (train), Adolf Hitler (1889-1945), Advertisements, Antonio Arias Bernal (1914-1960), Around the world cruises, Art Basel, Art Deco, Art deco book bindings, Art Nouveau, Austrian Secession, automobiles, Axis, Batik, book bindings, Bruno Munari (1907-1998), caricatures, Children's propaganda books, Contempo, De Stille Kracht, Depero Futurista, Display cards, Dlia Golosa, Dutch East Indies, Dutch Nieuwe Kunst, Edward McKnight Kauffer (1890-1954), El Lissitzky (1890-1941), Filippo Tommaso Marinetti (1876-1944), Flying Clipper, Fortunato Depero (1892-1960), Frederic A. Sharf, Hermann Wilhelm Göring (1893-1946), indigenous peoples, Italo-Ethiopian War (1935-1936), Jeffrey Flemings, John Vassos (1898-1985), L'Inflation Sentimentale, Leonard A. Lauder, manufacturers' catalogs, Martijn F. Lecoultre, Nazis, ocean liners, Office of Coordinator of Inter-American Affairs, Orion (Steamship), Pamela K. Harer, Peggy Loar, photograph albums, playing cards, pochoir prints, portfolios, postcards, Promotional materials, Richard P. Schick, Samples, Seguy, Sheet music covers, Steve Heller, Textile designs, Theodore (Ted) W. Pietsch III, Thomas C. Ragan, Ultimo, Vladimir Mayakovsky (1893-1930), Wiener Werkstatte
DOMESTICATING THE WAR: SOME NEW WOLFSONIAN ACQUISITIONS FROM WWI
• April 7, 2012 • 1 CommentPosted in acquisitions, African American History, American war propaganda, Artists, avant-garde aesthetics, colonial propaganda, colonialism, Ethiopia, Fascism, Futurism, graphic designers, persuasive arts, political art, propaganda, propaganda arts, rare books and special collections library, totalitarian, war propaganda, Wolfsonian library, Wolfsonian library collection, Wolfsonian museum library, Wolfsonian-FIU library, women, World War I, WWI, youth movements
Tags: 370th Infantry, American Expeditionary Forces, American flag, Balilla Youth Movement, Colored troops, commercial advertising, commercial art, Cream of Wheat, Domestic life, Domesticity, Duilio Cambellotti (1876-1960), Fascism, Flags, Gender roles, General Pershing, Italian flag, Italo-Ethiopian War (1935-1936), Joseph-Félix Bouchor (1853-1937), Military parades, Pairs, Patriotism, Red Cross nurses, Red white and blue, S. J. Woolf, Soldiers, Stars and stripes
TRUTH AND PROPAGANDA
• May 13, 2011 • Leave a CommentPosted in Anti-Nazi propaganda, colonial propaganda, colonialism, Ethiopia, Fascism, FIU students, Florida International University students, Mellon curriculum development grant, political art, promotional materials, propaganda arts, Wolfsonian library, World War II, WWII
Tags: anti-fascist movement, Benito Mussolini (1883-1945), Boro-Talco powder, Broadsides, commercial advertising, fans, Federico-Antonio Carasso (alias Fred Deltor), Jon Mogul, Lidice massacre (Czechoslovakia), persuasive arts, Professor Sean Hermanson, propaganda, Regina Bailey, satires, Sheet music covers, Truth and Propaganda
